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A carregar... Atonement: A Novel (original 2001; edição 2003)por Ian McEwan
Informação Sobre a ObraAtonement por Ian McEwan (Author) (2001)
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![]() A Book With A Love Triangle I'm not sure how Atonement got onto my list under this category, for it completely lacks said geometric shape. Instead, it is the tale of a consensual sexual encounter and a rape, told by the precocious, naive thirteen-year-old Briony Tallis who—rather unbelievably—witnesses both events within hours of each other and subsequently wrongfully accuses the man involved in the first act, Robbie Turner, as the perpetrator of the second. Turner winds up in prison on the strength of Briony's unwavering testimony that she "saw him" at the scene, a lie she spends the bulk of the novel determined to atone for her "mistake" by setting the record straight, both with the authorities and the reading public, by changing her original testimony and writing a novel exposing the truth. Atonement is the collision of too many coincidences and unfortunate circumstances for my taste, exacerbated by their proximity in time. Briony not only stumbles upon both sexual encounters, but she also witnesses the initial interaction which changes Robbie and her sister Cecilia's relationship from childhood friendship to the rendezvous in the library. Robbie mistakenly sends a sexually explicit letter to Cecilia rather than the anodyne version he intended. Compounding this error is his choice of messenger, none other than the mistrustful, overly inquisitive and, most significantly, Atonement is a well-written novel but its storyline feels a bit contrived. Here's what I wrote in 2008 about this read: "Good story of love, amid a child's misunderstanding of truth with far-reaching and long-lasting consequences, including eventually amid war-torn Europe. Glad to have read the book vs. seen the movie (descriptions of movie suggest plot line changed in some significant ways). Recall the vivid description of those hot summer days in the Tallis' home in the English countryside." I can't stop crying.It's just so sad! Well,Ian McEwan..you just made me sad..why did you do that.Well,I guess life happens.The books is just beautiful.It touched my heart with all its sadness and beauty and was just wonderful.Cecilia and Robbie's love is just exemplary,a stuff of the myths.I don't know how to explain my feelings towards Briony.I hated for doing what she did but later I didn't know how I feel about her.But I have to say,she is a spineless creature and she admitted that too. She tried repenting but that was not enough.Overall the book was great but there were some parts that I hated.I didn't even read the second part.It was about war and to me,it was pretty boring.I skipped most of those parts but I had to say I loved the third part and read it with all my concentration.Characters like Luc Cornet,even though small,leaves a mark.I loved all the characters but I hated one,Paul Marshall,that man! and Briony should've opposed the wedding.But,I'm not Briony and I can't control what happens in the story.I just went with it.I was happy with the ending of the third part but then I realized it was a lie! A LIE! But Briony gave them their happiness or that is what she said. Overall,the book was awesome and this review is inadequate and filled with adjectives that mean the same thing!I would recommend this to all the crazy romantics out there and anybody who has the book with them,it is a must read.I don't think I'm going to rad it again but I will cherish it forever.
McEwan is technically at the height of his powers, and can do more or less anything he likes with the novel form. He shows this fact off in the first section of Atonement, in which he does one of the hardest things a good writer can do: engrossingly, sustainedly, and convincingly impersonate a bad one. McEwan is crafty. Even as he shows us the damages of story-telling, he demonstrates its beguilements on every page. Atonement is full of timeworn literary contrivances--an English country house, lovers from different classes, an intercepted letter--rendered with the delicately crafted understanding of E.M. Forster. If it's plot, suspense and a Bergsonian sensitivity to the intricacies of individual consciousnesses you want, then McEwan is your man and ''Atonement'' your novel. It is his most complete and compassionate work to date. Ian McEwan's remarkable new novel ''Atonement'' is a love story, a war story and a story about the destructive powers of the imagination. It is also a novel that takes all of the author's perennial themes -- dealing with the hazards of innocence, the hold of time past over time present and the intrusion of evil into ordinary lives -- and orchestrates them into a symphonic work that is every bit as affecting as it is gripping. It is, in short, a tour de force. Ian McEwan’s new novel, which strikes me as easily his finest, has a frame that is properly hinged and jointed and apt for the conduct of the ‘march of action’, which James described as ‘the only thing that really, for me at least, will produire L’OEUVRE’. Pertence à Série da EditoraContémTem a adaptaçãoTem como estudoTem um guia de estudo para estudantesPrémiosDistinctionsWhitcoulls Top 100 Books (53 – 2008) Whitcoulls Top 100 Books (91 – 2010) Notable Lists
"In the seaside village of Kinlough, on Ireland's west coast, three old friends meet for the first time in years. They - Helen, Joe and Mush - were part of an original group of six inseparable teenagers in the summer of 2003, with motherless, reckless Kala Lannan at its white-hot center. But later that year, Kala disappeared without a trace. Now remains have been discovered in the woods-including a skull with a polaroid photo tucked inside--and the town is both aghast and titillated at reopening this oldwound. On the eve of this gruesome discovery, Helen had reluctantly returned for her father's wedding, the world-famous musician Joe had come home to dry out and reconnect with something authentic, and Mush had never left, too shattered by the events of that summer to venture beyond the counter of his mother's cafae. But when two more girls go missing, they are forced confront their own complicity in the events that led to Kala's disappearance. Ultimately, they must do what others should have done beforeto stop the violent patterns of their town's past repeating themselves once again. In cracklingly vivid prose, Kala brilliantly examines the sometimes brutal costs of belonging, as well as the battle in the human heart between vengeance and forgiveness, despair and redemption"-- Não foram encontradas descrições de bibliotecas. |
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![]() GénerosSistema Decimal de Melvil (DDC)823.914Literature English & Old English literatures English fiction Modern Period 1901-1999 1945-1999Classificação da Biblioteca do Congresso dos EUA (LCC)AvaliaçãoMédia:![]()
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