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A carregar... Persepolis: The Story of a Childhoodpor Marjane Satrapi
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» 25 mais Women in Islam (1) Female Author (186) 2000s decade (4) Books Read in 2019 (1,130) 100 New Classics (59) Female Protagonist (592) Books Read in 2004 (168) Swinging Seventies (72) Banging Book Club (34) Ainda não há conversas na Discussão sobre este livro. Each time I read a graphic memoir, I think how marvelously this genre and medium complement one another. Persepolis is fascinating examination of the Islamic Revolution and its consequences in Iran through the eyes of a child raised in a modern Iranian home. It's both an interesting story and an educational opportunity to see this important part of history through Persian eyes. It's a sober reminder of humanity's inhumanity to read parallels to Atwood's Handmaid's Tale and other dystopian tales in non-fiction. One can readily forget that the fiction authors have more than adequate inspiration from real-life events. It's good, emotional. The art style is excellent, very clear, minimalistic, strong lines blocks of black etc. It's a pleasure to look at it and it makes the few horrible scenes it illustrates (eg a dismembered body) all the more shocking. The writing is good too and emotional and gets across the impact of living on the edge well. It's v personal and keyed to her very particular experience and don't expect like in depth analysis of her family's existence, the causes of the revolution or whatever. It's great Quando ho iniziato a leggere Persepolis, mi aspettavo di leggere una graphic novel incentrata su una critica scientifica al regime iraniano. Non che la Satrapi risparmi le critiche, ma Persepolis è più una raccolta degli effetti della stupidità morbosa degli integralisti sulla vita di una famiglia laica e progressista – e di tutte le persone che gravitano loro intorno. Infatti, nella loro ansia di eradicare ogni comportamento o pensiero contrario alla morale, gli integralisti, pur torturando, assassinando, condannando a morte, finiscono per rendersi ridicoli. Come quando viene introdotto il foulard obbligatorio a scuola e le bambine hanno finito per farci di tutto perché non capivano la necessità di coprirsi la testa. Questo è stato forse l'aspetto che ho apprezzato di più di Persepolis: la sistematica ridicolizzazione dell'estremismo e la ferrea volontà di resistere e ribellarsi come si può. Così Marjane se ne va alle feste proibite e ascolta musica occidentale, per poi mentire spudoratamente alle guardiane della rivoluzione sempre a caccia di donne che – a parer loro – avevano smarrito la retta via. Mi verrebbe da consigliarne a lettura a quell* convint* che riaffermare i Valori (notare la “v” maiuscola, prego) con ogni mezzo, più o meno lecito, più o meno violento, sia la panacea per tutti i mali che affliggono la nostra società. Siete in alto mare, ragazz*: ritrovate la costa – e le persone che la abitano – prima di perdervi in quella tavola blu sempre uguale a se stessa.
Satrapi’s style is almost primitive, consisting of flat figures with simple shapes and features. It’s more sophisticated than a child’s creations, but it superficially resembles them, an approach that supports the presentation of memories from that period of life. Marjane Satrapi's ''Persepolis'' is the latest and one of the most delectable examples of a booming postmodern genre: autobiography by comic book. Pertence a SériePersepolis (Omnibus 1-2) Está contido emContémPrémiosDistinctionsNotable Lists
An intelligent and outspoken only child, Satrapi--the daughter of radical Marxists and the great-granddaughter of Iran's last emperor--bears witness to a childhood uniquely entwined with the history of her country. Originally published to wide critical acclaim in France, where it elicited comparisons to Art Spiegelman's Maus, Persepolis is Marjane Satrapi's wise, funny, and heartbreaking memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran's last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran: of the bewildering contradictions between home life and public life and of the enormous toll repressive regimes exact on the individual spirit. Marjane's child's-eye-view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a stunning reminder of the human cost of war and political repression. It shows how we carry on, through laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love. Não foram encontradas descrições de bibliotecas. |
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This book was fascinating. I'm not a graphic novel fan, but I'm glad I made the exception here. I do, however, feel again the stark reality that I am completely ignorant and privileged. And I don't know what to do about it, other than learn more. This book was a good start in that direction. (