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Piranesi por Susanna Clarke
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Piranesi (edição 2020)

por Susanna Clarke (Autor)

MembrosCríticasPopularidadeAvaliação médiaMenções
2,1041175,819 (4.23)146
Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend, the Other. At other times he brings tributes of food and waterlilies to the Dead. But mostly, he is alone. Messages begin to appear, scratched out in chalk on the pavements. There is someone new in the House. But who are they and what do they want? Are they a friend or do they bring destruction and madness as the Other claims? Lost texts must be found; secrets must be uncovered. The world that Piranesi thought he knew is becoming strange and dangerous. The Beauty of the House is immeasurable ; its Kindness infinite.… (mais)
Membro:porgif
Título:Piranesi
Autores:Susanna Clarke (Autor)
Informação:Bloomsbury Publishing (2020), 272 pages
Colecções:A sua biblioteca
Avaliação:****
Etiquetas:Nenhum(a)

Pormenores da obra

Piranesi por Susanna Clarke

Adicionado recentemente porwizkid_alex, deborina, mcintcj, hadleyreads, Julielovesbooks, sefronius, biblioteca privada, doodlebug1385, dandelionroots
  1. 80
    The Magician's Nephew por C. S. Lewis (Michael.Rimmer, KayCliff)
  2. 50
    Slade House por David Mitchell (CGlanovsky, jonathankws)
  3. 50
    House of Leaves por Mark Z. Danielewski (hubies)
    hubies: Piranesi is not scary, but in both books there is this mystifying, unpeopled world of impossible (and perhaps infinite) house-like space. Also: cryptic diary entries, unstable mind, short film as a plot device.
  4. 31
    The Secret History por Donna Tartt (sparemethecensor)
  5. 20
    Collected Fictions por Jorge Luis Borges (jakebornheimer)
  6. 10
    The Affirmation por Christopher Priest (tetrachromat)
  7. 10
    The Magician por W. Somerset Maugham (CGlanovsky)
    CGlanovsky: Aleister Crowley-esque figure
  8. 00
    The Memory Theater: A Novel por Karin Tidbeck (Aquila)
    Aquila: There's a similarlity of background and form in these two books - alternate worlds and amnesia and intellectual cults. And yet they are quite different stories.
  9. 00
    Wittgenstein's Mistress por David Markson (defaults)
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Mostrando 1-5 de 116 (seguinte | mostrar todos)
The Short of It:

Wildly imaginative.

The Rest of It:

Our main character is called Piranesi, although he knows this is not his real name. He lives in a house with many halls and rooms. Each room is filled with beautiful statues in various stages of decomposition. Many, damaged by the birds or the harsh salt water environment. Because you see, this “house” has been taken over by the tides and the sea life within it. Fog rolls in. Rain is the only source of fresh water. Piranesi lives here with one Other, literally called “Other” and he tends to the many remains of those who came before him.

I am not much of a fantasy reader but from page two, I was completely sucked into this story. For one, the writing is lovely. Two, I could “see” this house in my mind. And although it’s a lonely kind of story, Piranesi is a happy person, content with keeping track of the tides and his research. But as you read, many questions come to mind. How did he get there? What has happened to civilization? Why doesn’t he leave?

I read an interview with the author and how she was suffering from Chronic Fatigue Syndrome while writing this. How she felt so isolated from the real world, while tending to her debilitating illness. This definitely played a role in how the story plays out. The isolation is palpable but so is hope.

This story is so different and refreshing. There’s enough of a mystery to pull you in, but your heart will be with Piranesi as he tries to piece this all together. It’s a fascinating read. I really need to own a nice physical copy of this one. I can see myself picking it up again to read soon. A classic.

For more reviews, visit my blog: Book Chatter. ( )
  tibobi | Oct 11, 2021 |
Wonderful, original story unlike anything else. Our protagonist Piranesi lives almost entirely alone in an infinite series of marble halls and staircases full of statues. Over time he has learned his way around, and how to catch fish from the waters and harvest seaweed to eat, to clothe himself and to burn for fuel. He is a naturally generous forgiving person but it emerges that the only other living person that he occasionally meets up with is not quite the friend that he seems. ( )
  Matt_B | Oct 9, 2021 |
I don’t know. The first part of this book hooked me as magical and mysterious but I found the middle and end a bit disappointing and a little hard to follow. Not sure if audio was the best format for the book. This is my first book of the author and it does make me want to read more. ( )
  jcoleman3307 | Oct 7, 2021 |
This book is cunningly crafted, each word carefully picked. The sentences are an ocean of meaning, on the surface reflecting the narrator and what he thinks, but with additional meanings obvious to the audience. From the beginning, we are aware that there is something more going on than the narrator gives credit, and that awareness transforms into a desire to know that is intoxicating. And Clarke delivers: the expectations she cultivated early on were more than fulfilled in the rest of the book and the ending is perfectly appropriate. There is not a single thing I would change here. Clarke has again delivered us a masterpiece. ( )
  iewi | Oct 7, 2021 |
A very strange, nicely written book. I think it seems to be an analogy to what happens when you get depressed or lose your mind in some way. Eerie and insightful. ( )
  jvgravy | Oct 7, 2021 |
Mostrando 1-5 de 116 (seguinte | mostrar todos)
Here it is worth reflecting on the subject of Clarke's overt homage. The historical Piranesi, an 18th-century engraver, is celebrated for his intricate and oppressive visions of imaginary prisons and his veduta ideate, precise renderings of classical edifices set amid fantastic vistas. Goethe, it is said, was so taken with these that he found the real Rome greatly disappointing. Clarke fuses these themes, seducing us with imaginative grandeur only to sweep that vision away, revealing the monstrosities to which we can not only succumb but wholly surrender ourselves.

The result is a remarkable feat, not just of craft but of reinvention. Far from seeming burdened by her legacy, the Clarke we encounter here might be an unusually gifted newcomer unacquainted with her namesake's work. If there is a strand of continuity in this elegant and singular novel, it is in its central pre-occupation with the nature of fantasy itself. It remains a potent force, but one that can leave us - like Goethe among the ruins - forever disappointed by what is real.
adicionada por souloftherose | editarThe Guardian, Paraic O'Donnell (Sep 19, 2020)
 
How fantastic to have a bestselling novel with an index right at its heart.
adicionada por KayCliff | editarThe Indexer, Paula Clarke Bain
 

» Adicionar outros autores (2 possíveis)

Nome do autorPapelTipo de autorObra?Estado
Clarke, Susannaautor principaltodas as ediçõesconfirmado
Ejiofor, ChiwetelNarradorautor secundárioalgumas ediçõesconfirmado
Finke, AstridTradutorautor secundárioalgumas ediçõesconfirmado
Mann, DavidDesigner da capaautor secundárioalgumas ediçõesconfirmado
Molnár, Berta EleonóraTradutorautor secundárioalgumas ediçõesconfirmado
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"I am the great scholar, the magician, the adept, who is doing the experiment. Of course I need subjects to do it on".

The Magician's Nephew, C. S. Lewis
"People call me a philosopher or a scientist or an anthropologist. I am none of those things. I am an anamnesiologist. I study what has been forgotten. I divine what has disappeared utterly. I work with absences, with silences, with curious gaps between things. I am more of a magician than anything else."

Laurence Arne-Sayles, interview in The Secret Garden, May 1976
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For Colin
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When the Moon rose in the Third Northern Hall I went to the Ninth Vestibule to witness the joining of three Tides.
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The Beauty of the House is immeasurable; its Kindness infinite.
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Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend, the Other. At other times he brings tributes of food and waterlilies to the Dead. But mostly, he is alone. Messages begin to appear, scratched out in chalk on the pavements. There is someone new in the House. But who are they and what do they want? Are they a friend or do they bring destruction and madness as the Other claims? Lost texts must be found; secrets must be uncovered. The world that Piranesi thought he knew is becoming strange and dangerous. The Beauty of the House is immeasurable ; its Kindness infinite.

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