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Charleston Green

por Stephanie Alexander

Séries: Tipsy Collins (1)

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"...Skillful and clever and funny. I highly recommend this book." -- Elin Hilderbrand, New York Times Bestselling Author "An enchanting novel of a woman finding her way out of a midlife (and mid-death) crisis." -- Kirkus "...outstanding...a thoroughly engrossing saga."-- Midwest If Tipsy Collins learned one thing from her divorce, it's that everyone in Charleston is a little crazy--even if they're already dead. Tipsy, a gifted artist, cannot ignore her nutty friends or her vindictive ex-husband, but as a lifelong reluctant clairvoyant, she's always avoided dead people. When Tipsy and her three children move into the house on Bennett Street, she realizes some ghosts won't be ignored. Till death do us part didn't pan out for Jane and Henry Mott, who've haunted the house for nearly a century. Tipsy's marriage was downright felicitous when compared to Jane and Henry's ill-fated union. Jane believes Henry killed her and then himself, and Henry vehemently denies both accusations. Unfortunately, neither phantom remembers that afternoon in 1923. Tipsy doesn't know whether to side with Jane, who seems to be hiding something under her southern belle charm, or Henry, a mercurial creative genius. Jane and Henry draw Tipsy into their conundrum, and she uncovers secrets long concealed under layers of good manners, broken promises and soupy Lowcountry air. Living with ghosts, however, takes a toll on her health, and possibly even her sanity. As she struggles to forge a new path for herself and her children, Tipsy has a chance to set Jane and Henry free, and release the ghosts of her own past.… (mais)
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A BookLikes friend read and rated this highly recently, and I’m always onboard for a ghost story-mystery set in Charleston. Her standards are far more exacting than mine, so I felt confident buying it and its sequel the other day

Unfortunately, I can’t say I loved it. I’m conflicted about even saying I liked it, although it was a good, well-written story, with the exception of a few formatting errors and at least a couple of grammatical ones, though still fewer of both than I normally find in most traditionally published books.

At first I thought the problem for me was the third person present POV. In my opinion it’s the least forgiving POV available to authors and as such very hard to get right. Done wrong, characters are flat and lifeless.

But the characters weren’t flat and lifeless. Except for the main one, Tipsy herself, and ultimately this was what held me back from completely enjoying this book. She was a dishrag, and not just because she’d just gone through a difficult divorce, but because she’d been something of a dishrag her whole life. Not a victim, not even a doormat, but just a non-entity. A time or two she caught fire and those moments were ones I enjoyed thoroughly, but they happened way too rarely to make up for all the rest of the book, where she just drifted through.

On the plus side, the ghosts were great, and I enjoyed the parts where Tipsy painted, likely because they were the only times she wasn’t passive. But I truly enjoyed the story behind the ghosts and the mystery of how they died.

I was prepared to jump directly into the second book, Haint Blue, but I flipped through it this morning, and caught a passage that’s completely turned me off. It’s obvious that the author’s need to write as true to life as possible means taking the reader on the same emotional roller coaster of relationships that most people would give a kidney to avoid experiencing in real life, but are bound to go through anyway. Bound to or not in real life, I’m not obligated to experience it again in my books, and the passage that caught my eye has Tipsy acting like a melodramatic teen. No, thank you. Maybe someday, but for now I’m stopping with Charleston Green and calling it good.

I read this because it looked good, but I’m also using it for Halloween Bingo 2021 on my Murder Most Foul square. ( )
  murderbydeath | Feb 17, 2022 |
I wasn't sure if I wanted to read this book - I love Southern fiction but don't like magical realism and ghosts. I took a chance and ended up loving it. The characters (both human and ghost) were well written and fun to read as the main character handled her own life during divorce as well as working on a mystery for the ghost couple who lived in her house. The story of Tipsy's current struggle with her soon to be ex-husband and her relationship with her kids shows one side of her personality but she also sees and talks to ghosts which it totally different than the rational part of her life. The ghost couple -Jane and Henry are humorous as they try to ignore each other - as they have been doing for over 100 years. Neither of them remembers how they died or why they are still stuck in the same house but their love/hate relationship is still apparent for both of them and to Tipsy.

This is a fun novel to read - full of Southern charm, family, love and marriage and ultimately life and death. It's got family friction, best friends, a little romance and a lot of magic. What more does a good book need? ( )
  susan0316 | Aug 10, 2020 |
Charleston Green by Stephanie Alexander is one of the wonderful books I read in the recent times. I can only imagine how beautiful this new color Charleston Green is after reading this book.
Tipsy Collins is a beautiful soul, an artist and strong and independent at heart. Tipsy arrives at her new home with her three kids to live at a new house after going through a rough divorce. She manages her work at her best friend's art gallery, paints and also takes care of her kids all by herself.
Tipsy gets to put her supernatural skill to use to help two new ghost friends that she found at the new house. Jane and Henry who have been stuck at that home for a long time find answers to the questions that have been hanging between them since their deaths.
The climax twist was unexpected. The pace is excellent. The story is witty, lovely, romantic and awesome. I must admit this is the funniest ghost story, didn't terrify me at all and made me think I might need a ghost friend for myself.

I don't want to mention Tipsy's ex-husband Ayers whom I thoroughly hated while reading the story.I also liked how the author used the divorce law in North Carolina and certain other states to explain the troubles faced by many women who tolerate emotional and physical abuse. I'm sure this story definitely gives hope to many a women to stay strong and do what their heart encourages them to do. Just stand up for yourselves! Author has smartly put the marital issues from a century ago and the present day in one story and takes the reader on a wonderful fictional ride.
I received the copy of Charleston Green from NetGalley for an honest review. Thank you BooksGoSocial for sharing the copy with me. The book is going to be published on 14th of April, 2020. I know you all are stuck at homes quarantining. Don't miss a fun ride to Charleston through this book. ( )
  madhupal2486 | Mar 28, 2020 |
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"...Skillful and clever and funny. I highly recommend this book." -- Elin Hilderbrand, New York Times Bestselling Author "An enchanting novel of a woman finding her way out of a midlife (and mid-death) crisis." -- Kirkus "...outstanding...a thoroughly engrossing saga."-- Midwest If Tipsy Collins learned one thing from her divorce, it's that everyone in Charleston is a little crazy--even if they're already dead. Tipsy, a gifted artist, cannot ignore her nutty friends or her vindictive ex-husband, but as a lifelong reluctant clairvoyant, she's always avoided dead people. When Tipsy and her three children move into the house on Bennett Street, she realizes some ghosts won't be ignored. Till death do us part didn't pan out for Jane and Henry Mott, who've haunted the house for nearly a century. Tipsy's marriage was downright felicitous when compared to Jane and Henry's ill-fated union. Jane believes Henry killed her and then himself, and Henry vehemently denies both accusations. Unfortunately, neither phantom remembers that afternoon in 1923. Tipsy doesn't know whether to side with Jane, who seems to be hiding something under her southern belle charm, or Henry, a mercurial creative genius. Jane and Henry draw Tipsy into their conundrum, and she uncovers secrets long concealed under layers of good manners, broken promises and soupy Lowcountry air. Living with ghosts, however, takes a toll on her health, and possibly even her sanity. As she struggles to forge a new path for herself and her children, Tipsy has a chance to set Jane and Henry free, and release the ghosts of her own past.

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