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No title (1982)

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738830,518 (4.02)13
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Henry may be the wittiest playwright of his generation, but he's hopelessly naïve when it comes to understanding love and infidelity. Writing about betrayal is one thing, living with it is another. After Henry leaves his wife for another woman, he's confronted with being the cuckold himself. Both dazzlingly clever and emotionally naked, Henry's search for the "the real thing" in art and love demonstrates beautifully why both are worth the effort in the end. A full-cast production featuring: Andrea Bowen, Matt Gaydos, Carolyn Seymour, Simon Templeman, Douglas Weston, Joanne Whalley and Matthew Wolf.

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The Real Thing por Tom Stoppard (1982)

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I wasn't a huge fan of this play, but that's probably due to my lack of interest in romantic themes in literature. The Life Imitates Art angle had potential, but didn't engage me enough to make a difference, and there was never a point that I really felt invested in any of the characters. Not a bad play, but not really for me. ( )
  smichaelwilson | Nov 24, 2020 |
While this does bear the hallmarks of a Tom Stoppard play, it is not up to his usual standard. There is very little hilarity in the jokes, and the dialogue is rather uninspired. The short pieces of a play within a play were written to be deliberately bad, and he did achieve that to some rather hilarious results. The problem is that the plot feels contrived, and the characters are not sympathetic, nor are the unlikable in a particularly interesting way. They are flat. The premise of adultery wrapped up in more adultery, and the inability to maintain a constant, faithful relationship with one person is banal by virtue of being overdone. Overall, a work not worthy of a genius, and one wonders why it won prizes. ( )
1 vote Devil_llama | Dec 10, 2017 |
Two couples negotiate marriage, creativity, love and infidelity in 1980s London. A beautifully clever scene involves a cricket bat vs. a plank of wood as a comparison of good writing vs. bad. ( )
  Hagelstein | Apr 16, 2016 |
This play about love (when is it the "real thing"?) & jealousy doesn't age as well as some of Stoppard's other plays. That said, it is still a fun play to read & I would love to see it performed. The Stoppard touch is evident with certain scenes & pieces of dialogue repeating throughout the play, with differing emphasis or characters. The strength of the play (in my humble opinion) is in the exploration of how couples react to the infidelity (real and imagined). ( )
  leslie.98 | Feb 27, 2014 |
I forgive a lot for the cricket-bat metaphor. This starts out being one play, a truly fascinating one, about metafiction and the nature of belief and the power of context, but turns out to be a different one, with politics visible and Stoppard's weakness with writing women on full display. It's still good and interesting, but it's a simplified Arcadia, and I'm sorry for that. ( )
  cricketbats | Apr 18, 2013 |
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Drama. Fiction. Literature. HTML:

Henry may be the wittiest playwright of his generation, but he's hopelessly naïve when it comes to understanding love and infidelity. Writing about betrayal is one thing, living with it is another. After Henry leaves his wife for another woman, he's confronted with being the cuckold himself. Both dazzlingly clever and emotionally naked, Henry's search for the "the real thing" in art and love demonstrates beautifully why both are worth the effort in the end. A full-cast production featuring: Andrea Bowen, Matt Gaydos, Carolyn Seymour, Simon Templeman, Douglas Weston, Joanne Whalley and Matthew Wolf.

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