Carregue numa fotografia para ir para os Livros Google.
A carregar... Šíbr : příběh ze Sarajeva (edição 2009)por Joe Sacco
Informação Sobre a ObraThe Fixer: A Story from Sarajevo por Joe Sacco
Nenhum(a) A carregar...
Adira ao LibraryThing para descobrir se irá gostar deste livro.
Another tale from the former Yugoslavia by Joe Sacco. I enjoyed this a lot - a good comic. The book focuses on Neven, a "fixer" for international visitors (mostly journalists) who need someone to show them the ropes of Sarajevo. Through Neven, it tells the story of Sarajevo in the Yugoslavian war - the sieges and the internal struggles. One thing it does really well is show the relationship between the unofficial paramilitary groups and the Bosnian government - naturally, it's a pretty ugly story. Some of Sacco's writing seemed a little off here - too much talking to the reader as if they were Neven. Felt a bit disorienting, but not in they way that might have worked. Also the jumping around in time seemed a little gratuitous at times. Still, another wonderfully drawn, powerful book by Sacco. Joe Sacco, for those of you who don’t know his work, is a journalist working with the graphic novel as a form. The result is powerful, a combination of the autenhicity of the news story with the immediability of comics. His massive work ”Safe area Gorazde” taught me more about the coflict in former Yugoslavia than anything i’ve ever read. This is a story on a much smaller scale. It is the last shaky days of the Bosnian war when Sacco arrives in Sarajevo. Most of the international press is long since gone, and when Sacco meets the ”fixer” Neven in a hotel lobby, he is long out of work. A fixer is a local who takes care of foriegn reporters, arranges meetings and interviews, acts as guide, translator and bodyguard. Sacco and Neven strikes up a friendship, of sorts, and this book is a portrait of a complex person, a complex place and a complex time. Through Neven’s stories we learn about the early days of the siege of Sarajevo, when local gangsters were the quickest to take up arms against the invading sebs. Larger than life, blokes like Juka, Caco and Celo and their militias were crucial for the defence of the city, but very soon became a liability as soon as regular Bosnian forces were formed. Neven is a very unreliable narrator, and the story we get here is subjective, contradictory, and sometimes likely false. Sacco’s portrait of him is vividly painted, as is his own ambivalence towards him. The concept of documentary graphic novel is very appealing, with the sense of place coming across very strongly. Again, this is a book that make me feel wiser. Have you ever wondered how journalists get such up close and personal information about foreign affairs? How they get behind enemy lines to get the real scoop? This is the story of Neven, the sketchy Serbian "fixer" who, for a price, can be hired to take war correspondents behind the scenes. Joe Sacco befriends this fixer, Neven. Sacco tells his story in a short graphic "novella," bouncing back and forth between the early 1990s and 2001 to bring to light the Balkan conflict. Neven helps Sacco paint a grim picture of the bloodthirsty warlords who ran the country and how the Bosnia government responded. Even though Neven was a mastermind at manipulating Sacco (and his wallet) they developed a friendship.
In the end this black-and-white graphic novel presents a malleable world of gray where everyone’s goal is survival at any cost. With The Fixer, Joe Sacco reinforces his place as a comics master and journalist, and his work merits examination and celebration. Because many of its best qualities dwell in the subtleties of Sacco's layered narratives and not in documenting epic-scale conflict, The Fixer is not as instantly powerful as Palestine or Gorazde. Its depth, however, is tremendous. Brilliantly though the power of war to destroy, corrupt and degrade everything it touches is conveyed, the book's unrelieved grimness will be a problem for some. "The Fixer" continues one of the most creative and unique visions in the arts today. Joe Sacco has single-handedly created a media sub-genre: comix journalism. He brings alive the life and world of a funny, friendly, dangerous, mysterious person who seems a pure product of his place. He's a perfect comicbook character ... but he's real. Está contido emPrémiosDistinctions
When bombs are falling and western journalism is the only game left in town "fixers" are the people who sell war correspondents the human tragedy and moral outrage that makes news editors happy. It's dangerous, a little amoral and a lot desperate. Award-winning comix-journalist Joe Sacco goes behind the scene of war correspondence to reveal the anatomy of the big scoop. He begins by returning us to the dying days of Balkan conflict and introduces us to his own fixer; a man looking to squeeze the last bit of profit from Bosnia before the reconstruction begins. Thanks to a complex relationship with the fixer Joe discovers the crimes of opportunistic warlords and gangsters who run the countryside in times of war. But the west is interested in a different spin on the stories coming out of Bosnia. Almost ten years later, Joe meets up with his fixer and sees how the new Bosnian government has "dealt" with these criminals and Joe ponders who is holding the reins of power these days... Não foram encontradas descrições de bibliotecas. |
Current DiscussionsNenhum(a)Capas populares
Google Books — A carregar... GénerosSistema Decimal de Melvil (DDC)949.74203History and Geography Europe Other parts Former Yugoslavia (Bosnia and Herzegovina ∙ Croatia ∙ Kosovo ∙ Montenegro ∙ Macedonia ∙ Serbia ∙ Slovenia) [formerly also Bulgaria] Bosnia and Herzegovina; Montenegro Bosnia and HerzegovinaClassificação da Biblioteca do Congresso dos EUA (LCC)AvaliaçãoMédia:
É você?Torne-se num Autor LibraryThing. |
C’est donc une sorte d’interview en bd, entremêlée de considérations sur l’étrange relation (qualifiée d’amicale par Joe Sacco, mais qui parfois confine à l’extorsion) entre le témoin et son interlocuteur. Pas inintéressant, certes, mais pas aussi prenant que les autres reportages que j’ai pu lire de Joe Sacco.