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Lolly Willowes : Or the Loving Huntsman (New…
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Lolly Willowes : Or the Loving Huntsman (New York Review Books Classics) (original 1926; edição 1999)

por Sylvia Townsend Warner (Autor), Alison Lurie (Autor)

MembrosCríticasPopularidadeAvaliação médiaDiscussões / Menções
1,5276911,798 (3.84)1 / 271
"In Lolly Willowes, Sylvia Townsend Warner tells of an aging spinster's struggle to break away from her controlling family--a classic story that she treats with cool feminist intelligence, while adding a dimension of the supernatural and strange. Warner is one of the outstanding and indispensable mavericks of twentieth-century literature, a writer to set beside Djuna Barnes and Jane Bowles, with a subversive genius that anticipates the fantastic flights of such contemporaries as Angela Carter and Jeanette Winterson"--Publisher description.… (mais)
Membro:krolik
Título:Lolly Willowes : Or the Loving Huntsman (New York Review Books Classics)
Autores:Sylvia Townsend Warner (Autor)
Outros autores:Alison Lurie (Autor)
Informação:NYRB Classics (1999), 230 pages
Coleções:A sua biblioteca
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Lolly Willowes, or The Loving Huntsman por Sylvia Townsend Warner (1926)

  1. 20
    The Love Child por Edith Olivier (Stuck-in-a-Book)
    Stuck-in-a-Book: This is another book which uses the fantastic to combat spinsterhood.
  2. 00
    One Fine Day por Mollie Panter-Downes (GeraniumCat)
  3. 00
    Little, Big por John Crowley (chrisharpe)
  4. 01
    Miss Hargreaves por Frank Baker (Stuck-in-a-Book)
    Stuck-in-a-Book: Another great work of the fantastic.
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Inglês (66)  Alemão (1)  Francês (1)  Catalão (1)  Todas as línguas (69)
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An odd story, but beautifully written. Laura Willowes, a spinster, who, through childish mispronunciation, became known as Lolly. Set in the 1920s, Lolly rejected the safe, respectable, boring life with her brother and sister-in-law to live in an out of the way village named Great Mop. When she discovers her identity as a witch the story becomes much more interesting. ( )
  VivienneR | Apr 15, 2024 |
Sentence after sentence that makes you smile with delight. Very British, very witty, and a countryside I would not mind losing myself in. Besides this, this is a book about suffocating social conventions, women who are not allowed to have lives of their own, space of their own - and about how to win your life and space. I think this is the kind of book it is going to be a pleasure to re-read at some point. ( )
  Alexandra_book_life | Dec 15, 2023 |
the dominant character in this book is the countryside. it's a very pastoral novel and although the plot and character writing is good to me it felt of secondary importance. weirdly it reminds me of the kinks village green preservation society album. it feels like a paean to the traditional village which never changes - a certain character even says something like once a wood always a wood. weirdly the main character goes through all this effort just to stay still. I loved all the descriptions of the village and the countryside and "traditional living" and it made me want to live it pretty bad. the main story about a woman escaping her forced role etc is also good although I couldn't help thinking "well you're from a rich family and have an income so that's good" but also genuinely I feel like it's not emphasised so much and it only appears really explicitly near the end. idk it's good ( )
  tombomp | Oct 31, 2023 |
Lolly Willowes by Sylvia Townsend Warner was such a cozy and truly delightful read. Crafted in three parts we get to know Laura, Lolly, in the wake of the death of her parents. She’s 28 at the start of the novel, unmarried, and not looking to be. She was extremely close with her father, who was the most recent to die, and her grief absolutely overtakes her. Her older brother and his wife decided they need to take care of her. They want to move her out of their country home, and then to London, which they think will be good for her grief. In doing so they end up (in my opinion) taking advantage of her agreeable state. She spends a lot of time with her nieces and nephews and ends up devoting 20 years in that service.

The first part really covers all of that. And we get a good sense of who her family is and what the Willowes are like. We don’t get hung up in the minutia of the day to day, but you see a lot of love between the family members and also a real disconnect between them. The lines of love and pity are constantly crossed and the family members are very different in terms of what they’re looking for in life or even in their religious and familial directives.

The second part focuses a lot more on Lolly’s coming of age after the 20 year period. She starts to realize how unfulfilled she is. She’s 47 years old and she’s figuring out who she is. It’s kind of an awakening.

The third part deals with the main excitement of the book of which I do not want to spoil, but I would say it escalated quickly and it gets fun and interesting as she continues to come into her own. This is absolutely charming and while the pacing was not always my favorite (and I wanted more of a certain sections than I got) ultimately it felt really special and I’m so glad that I finally read it.

There were really poignant messages of moving on from the wrongs people have done you, and not having to do so through forgiveness. As well as messages of not being good at things even though you want to be, and even though you feel called to a way of life. Lolly is, in so many ways, working against herself constantly… but that’s okay, and that’s realistic.

I would recommend this pretty much to anybody who’s looking for something cozy, with low stakes and enjoyable writing. I did pick this up thinking it was going to be very autumnal and it’s really not. But it didn’t bother me too much. A great feminist classic, though, and we’ll worth ( )
1 vote jo_lafaith | Sep 5, 2023 |
Laura (Lolly) Willowes is an aging spinster, having spent her life first caring for her father and then for her brother’s children. After the ravages of World War I, she sees herself fair on the way to soon looking after her brother’s grandchildren, and she decides that it’s time she did some living for herself. She therefore takes what money she has left (after her brother invested it unwisely, without consulting her) and moves to a remote village, where she soon finds her true self - a witch. But her family isn’t done with her, and when her nephew comes to the village and looks to be taking over her life once again, she calls upon Satan for help…. This short novel from 1926 passed me by for many years; as a good feminist, I knew the name of the author but wasn’t familiar with her work. This is the kind of book that I find I need to be in the mood to enter, otherwise it just seems both bland and overworked in the fashion of the times in which it was written. But if one *does* get into the proper mood for it, it’s a terrific indictment of the place of women, especially surplus women, in late Victorian Britain going through into the post-WWI age and before the Depression. Whether Lolly really is a witch, whether she summons Satan and has long conversations with him, whether what befalls her nephew is planned or accidental, none of this matters; what matters is that Lolly finally can live her own life on her own terms. Recommended. ( )
1 vote thefirstalicat | Aug 24, 2023 |
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» Adicionar outros autores (7 possíveis)

Nome do autorPapelTipo de autorObra?Estado
Warner, Sylvia Townsendautor principaltodas as ediçõesconfirmado
Anders, AnnTradutorautor secundárioalgumas ediçõesconfirmado
Gatti, GraziaTradutorautor secundárioalgumas ediçõesconfirmado
Hernández, MartaTradutorautor secundárioalgumas ediçõesconfirmado
Lévy, FlorenceTradutorautor secundárioalgumas ediçõesconfirmado
Méndez, ZaharaTradutorautor secundárioalgumas ediçõesconfirmado
Miller, AnitaIntroduçãoautor secundárioalgumas ediçõesconfirmado
Waters, SarahIntroduçãoautor secundárioalgumas ediçõesconfirmado
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When her father died, Laura Willowes went to live in London with her elder brother and his family.
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Preference, not prejudice, made them faithful to their past. They slept in beds and sat in chairs whose comfort insensibly persuaded them into respect for the good sense of their forbears. Finding that well-chosen wood and well-chosen wine improved with keeping, they believed that the same law applied to well-chosen ways.
So Laura read undisturbed, and without disturbing anybody, for the conversation at local tea-parties and balls never happened to give her an opportunity of mentioning anything that she had learnt from Locke on the Understanding or Glanvil on Witches. In fact, as she was generally ignorant of the books which their daughters were allowed to read, the neighboring mammas considered her rather ignorant. However they did not like her any the worse for this, for her ignorance, if not so sexually displeasing as learning, was of so unsweetened a quality as to be wholly without attraction.
Being without coquetry she did not feel herself bound to feign a degree of entertainment which she had not experienced, and the same deficiency made her insensible to the duty of every marriageable young woman to be charming, whether her charm be directed towards one special object, or in default of that, universally distributed through a disinterested love of humanity.
She had thought that sorrow would be her companion for many years, and had planned for its entertainment.
After some years in his house she came to the conclusion that Caroline had been very bad for his character. Caroline was a good woman and a good wife. She was slightly self-righteous and fairly rightly so, but she yielded to Henry's judgment in every dispute, she bowed her good sense to his will and blinkered her wider views in obedience to his prejudices. Henry had a high opinion of her merits, but thinking her to be so admirable and finding her to be so acquiescent had encouraged him to have an even higher opinion of his own.
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"In Lolly Willowes, Sylvia Townsend Warner tells of an aging spinster's struggle to break away from her controlling family--a classic story that she treats with cool feminist intelligence, while adding a dimension of the supernatural and strange. Warner is one of the outstanding and indispensable mavericks of twentieth-century literature, a writer to set beside Djuna Barnes and Jane Bowles, with a subversive genius that anticipates the fantastic flights of such contemporaries as Angela Carter and Jeanette Winterson"--Publisher description.

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