Carregue numa fotografia para ir para os Livros Google.
A carregar... Luftslottet som sprängdes (original 2007; edição 2007)por Stieg Larsson
Informação Sobre a ObraThe Girl Who Kicked the Hornet's Nest por Stieg Larsson (2007)
» 34 mais Top Five Books of 2013 (135) Female Protagonist (49) Books Read in 2016 (320) Carole's List (39) Favorite Long Books (117) Books Read in 2014 (123) Books Read in 2018 (179) Pageturners (4) Best Noir Fiction (37) 2000s decade (27) Books About Murder (73) Overdue Podcast (215) Books Read in 2012 (32) Books Read in 2011 (12) Books Read in 2022 (4,289) Best Revenge Stories (54) Books Read in 2010 (352) Detective Stories (108) Books Tagged Abuse (40) EU Fiction: 1950-2022 (179) Best of World Literature (380) A carregar...
Adira ao LibraryThing para descobrir se irá gostar deste livro. Ainda não há conversas na Discussão sobre este livro. **spoiler alert** Allthough I really liked this last book of the trilogy, I didn't found it as appealing and good as the previous two. I enjoyed it very much, though and I'm sad that there aren't more books of the Millenium series for me to read. Lisbeth Salander is an awesome female character. I loved the ending and how Lisbeth thought of that talk she had with Blomkvist about Harriet Vanger, when she was ready to kill her murderer of a half-brother. Even though, the context was different, she decided not to kill the bastard, just like Harriet. Salander's not like her father or brother, after all. Awesome trilogy, I recommend these books to everyone who enjoys a good story with a good mystery and well-developed ,interesting characters.
The tension builds relentlessly as backstories morph into intriguing subplots, threats to the very core of Swedish democracy are uncovered, men in positions of authority continue to abuse their power, and Salander and Blomkvist continue to fight for justice in their different, inimitable styles Larsson was a cerebral, high-minded activist and self-proclaimed feminist who happened to have a God-given gift for pulse-racing narrative. It’s this offbeat combination of attributes — imagine if John Grisham had prefaced his writing career not by practicing law in Mississippi but by heading up the Stockholm office of Amnesty International — that has made the series such a sui generis smash. Still—bad writing is hardly a barrier to success in this genre. A good plot can run right over pages and pages of bad writing. And if there is a bad plot, or an incomprehensible one, great writing can always go around it. By these standards, The Girl Who Kicked the Hornet's Nest is a failure. No one should read this book for its plot or its prose. The best features of Larsson's books are lively, intricately improbable plots. These, however, are set forth in a banal style that demonstrates no more than minimal skills when it comes to most of his characterizations and descriptive writing. It sometimes seems that Larsson's interest in novelistic detail begins and ends with the contents of a sandwich that one of his characters makes before dashing out on some potentially dangerous errand. Cutting nimbly from one story line to another, Larsson does an expert job of pumping up suspense while credibly evoking the disparate worlds his characters inhabit, from the coldblooded bureaucracy of the Security Police to the underground slacker-hacker world of Salander and her friends, from the financially stressed newsroom Erika inherits to the intensive care unit of the hospital where Salander and Zalachenko are recuperating. Está contido emTem a adaptaçãoInspiradaTem como guia de referência/texto acompanhanteTem um guia de estudo para estudantesPrémiosDistinctionsNotable Lists
If and when Lisbeth Salander recovers, she'll be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revenge--against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life. Não foram encontradas descrições de bibliotecas. |
Current DiscussionsNenhum(a)Capas populares
Google Books — A carregar... GénerosSistema Decimal de Melvil (DDC)839.738Literature German literature and literatures of related languages Other Germanic literatures Swedish literature Swedish fiction 2000-Classificação da Biblioteca do Congresso dos EUA (LCC)AvaliaçãoMédia:
É você?Torne-se num Autor LibraryThing. |
Lisbeth Salander sobreviveu aos ferimentos de que foi vítima, mas não tem razões para sorrir: o seu estado de saúde inspira cuidados e terá de permanecer várias semanas no hospital, completamente impossibilitada de se movimentar e agir. As acusações que recaem sobre ela levaram a polícia a mantê-la incontactável. Lisbeth sente-se sitiada e, como se isto não bastasse, vê-se ainda confrontada com outro problema: o pai, que a odeia e que ela feriu à machadada, encontra-se no mesmo hospital com ferimentos menos graves e intenções mais maquiavélicas… Entretanto, mantêm-se as movimentações secretas de alguns elementos da Säpo, a polícia de segurança sueca. Para se manter incógnita, esta gente que actua na sombra está determinada a eliminar todos os que se atravessam no seu caminho. Mas nem tudo podia ser mau: Lisbeth pode contar com Mikael Blomkvist que, para a ilibar, prepara um artigo sobre a conspiração que visa silenciá-la para sempre. E Mikael Blomkvist também não está sozinho nesta cruzada: Dragan Armanskij, o inspector Bublanski, Anika Gianini, entre outros, unem esforços para que se faça justiça. E Erika Berger? Será que Mikael pode contar com a sua ajuda, agora que também ela está a ser ameaçada? E quem é Rosa Figuerola, a bela mulher que seduz Mikael Blomkvist?