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Pueblo: Mountain, Village, Dance

por Vincent Scully

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The vast and beautiful landscape of the American Southwest has long haunted artists and writers seeking to understand the mysteries of the deep affinity between the land and the Native Americans who have lived on it for centuries. In this pioneering study, art historian Vincent Scully explores the inhabitants' understanding of the natural world in an entirely original way--by observing and analyzing the complex yet visible relationships between the landscape of mountain and desert, the ancient ruins and the pueblos, and the ceremonial dances that take place with them. Scully sees these intricate dances as the most profound works of art yet produced on the American continent--as human action entwined with the natural world and framed by architectural forms, in which the Pueblos express their belief in the unity of all earthly things. Scully's observations, presented in lively prose and exciting photographs, are based on his own personal experiences of the Southwest; on his exploration of the region of the Rio Grande and the Hopi mesas; on his witnessing of the dances and ceremonies of the Pueblos and others; and on his research into their culture and history. He draws on the vast literature inspired by the Native Americans--from early exploration narratives to the writing of D. H. Lawrence to recent scholarship--to enrich and support his unique approach to the subject. To this second edition Scully has added a new preface that raises issues of preservation and development. He has also written an extensive postscript that reassesses the relationship between nature and culture in Native American tradition and its relevance to contemporary architecture and landscape. "Coming to Pueblo architecture as he does from a provocative study of sacred architecture in ancient Greece, Scully has much to say that is both striking and moving of the Pueblo attitudes toward sacred places, the arrangement of structures in space, the lives of men and beasts, and man's relation to rain, earth, vegetation."--Robert M. Adams, New York Review of Books… (mais)
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While the book "Pueblo: Mountain, Village, Dance" is quite large one would expect more information to be found within it. Instead one finds many pages of romantic descriptions of places and events which do little to help one understand the complexities of the traditions found in the Rio Grande pueblos. The author seems to be preoccupied by drawing connections between Pueblo cultures of the Southwestern United States and those of the ancient Mediterranean region. Though not truly pseudoscience in the sense that he is suggesting that Minoans traveled across the ocean to seed New Mexico with their culture, in the end his comparisons are not useful or well explained. The title is apt enough. It does deal primarily with the native people who both historically and currently live in New Mexico. While there are differences in their language and ceremonies there is a long understood connection between all the separate groups. By detailing the existing Pueblo groups and a bit of their prehistory the book seems to have a clear focus. The "mountain" refers to the sacred landscape that surrounds the Pueblos today. While some work has been done by others to understand the relationship of the architecture to the wider world around these towns, Scully adds very little to the discussion, mostly citing the work of previous scholars. There is then some value in his description of the various villages but once again there are other resources that go into more depth on each one and have more useful information. Lastly the "Dance" refers to the ceremonial dance celebrations that take place at certain times of year in each community. Here lies my biggest complaint with this book. Several cultural anthropologists have spent significant time documenting these rituals over the past hundred years. What this author contributes is more of a memoir than an accurate or revealing account of what happens in these dances. In overtly poetic terms he describes the costumes and behavior of the participants but constantly seems to try and make up for his ignorance of the subject by discussing how the dances made him feel while comparing one ceremony to another. The whole book in fact is written in a style that contains less scholarly data and more poetry. It becomes rather tiresome to read his run on sentences and his lyrical remembrances. The most valuable aspect of the book are the photographs and diagrams. Many of the photographs are historical, taken in the late 19th and early 20th centuries. These are supplemented with more recent pictures as well. Most of these can be found in other sources or even on line but having them collected in one place is useful even if the quality of the reproductions leave something to be desired. The other useful aspect of this book is the bibliography. It does provide a good list of reading materials that were drawn upon for the text. For those looking for an introduction to the subject matter this is not a good choice. Even for those who have read extensively on the pueblos it is only of moderate use. If your have already gained a good understanding of this culture and enjoy reading about it then you might be interested in adding this book to your collection. Be aware though that aside from some of the historic photographs you probably have better resources on your bookshelf already. ( )
  s.g. | Jun 27, 2016 |
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The vast and beautiful landscape of the American Southwest has long haunted artists and writers seeking to understand the mysteries of the deep affinity between the land and the Native Americans who have lived on it for centuries. In this pioneering study, art historian Vincent Scully explores the inhabitants' understanding of the natural world in an entirely original way--by observing and analyzing the complex yet visible relationships between the landscape of mountain and desert, the ancient ruins and the pueblos, and the ceremonial dances that take place with them. Scully sees these intricate dances as the most profound works of art yet produced on the American continent--as human action entwined with the natural world and framed by architectural forms, in which the Pueblos express their belief in the unity of all earthly things. Scully's observations, presented in lively prose and exciting photographs, are based on his own personal experiences of the Southwest; on his exploration of the region of the Rio Grande and the Hopi mesas; on his witnessing of the dances and ceremonies of the Pueblos and others; and on his research into their culture and history. He draws on the vast literature inspired by the Native Americans--from early exploration narratives to the writing of D. H. Lawrence to recent scholarship--to enrich and support his unique approach to the subject. To this second edition Scully has added a new preface that raises issues of preservation and development. He has also written an extensive postscript that reassesses the relationship between nature and culture in Native American tradition and its relevance to contemporary architecture and landscape. "Coming to Pueblo architecture as he does from a provocative study of sacred architecture in ancient Greece, Scully has much to say that is both striking and moving of the Pueblo attitudes toward sacred places, the arrangement of structures in space, the lives of men and beasts, and man's relation to rain, earth, vegetation."--Robert M. Adams, New York Review of Books

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