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This new edition in the 21st-Century Oxford Authors series presents a substantial selection of Keats's writings arranged chronologically as his contemporary readers first encountered them. Its backbone is provided by the poems published in Keats's lifetime?the three volumes, 'Poems' (1817), 'Endymion' (1818), and 'Lamia, Isabella, The Eve of St. Agnes, and Other Poems' (1820), together with the small number of poems he published elsewhere. But a much larger body of Keats's writing was seen only in manuscript, if at all, by Keats's friends and family-the unpublished poems which include the dream vision, 'The Fall of Hyperion', his annotations of Shakespeare and Milton, and, above all, his extraordinary letters. These are placed at the date on which they were written or at their probable date. 0This selection of poems, prose, and letters therefore creates a double time scheme. It places the poetry by which Keats was known to a frequently antagonistic reading public in his lifetime within the extensive biographical context provided by his unpublished poems and letters. This substantial body of manuscript evidence, some of it not discovered until the twentieth-century and none of it known to Keats's reading public, is now part of our understanding of his life and work, and allows us to follow his extraordinary intellectual, emotional, and artistic self-making in the three short years between 'Poems' (1817) and 1820.… (mais)
Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
Now Morning from her orient chamber came, / And her first footsteps touch'd a verdant hill; / Crowning its lawny crest with amber flame, / Silv'ring the untainted gushes of its rill; / Which, pure from mossy beds, did down distill, / And after parting beds of simple flowers, / By many streams a little lake did fill, / Which round its marge reflected woven bowers, / And, in its middle space, a sky that never lowers.
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Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
And this is why I sojourn here / Alone and palely loitering, / Though the sedge is wither'd from the lake, / And no birds sing.
Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
This collection, edited by Elizabeth Cook, was first published as John Keats (1990) in the series "The Oxford authors". It was reissued in the "Oxford world's classics" series as The major works (2001).
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This new edition in the 21st-Century Oxford Authors series presents a substantial selection of Keats's writings arranged chronologically as his contemporary readers first encountered them. Its backbone is provided by the poems published in Keats's lifetime?the three volumes, 'Poems' (1817), 'Endymion' (1818), and 'Lamia, Isabella, The Eve of St. Agnes, and Other Poems' (1820), together with the small number of poems he published elsewhere. But a much larger body of Keats's writing was seen only in manuscript, if at all, by Keats's friends and family-the unpublished poems which include the dream vision, 'The Fall of Hyperion', his annotations of Shakespeare and Milton, and, above all, his extraordinary letters. These are placed at the date on which they were written or at their probable date. 0This selection of poems, prose, and letters therefore creates a double time scheme. It places the poetry by which Keats was known to a frequently antagonistic reading public in his lifetime within the extensive biographical context provided by his unpublished poems and letters. This substantial body of manuscript evidence, some of it not discovered until the twentieth-century and none of it known to Keats's reading public, is now part of our understanding of his life and work, and allows us to follow his extraordinary intellectual, emotional, and artistic self-making in the three short years between 'Poems' (1817) and 1820.