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The system was simple. Everyone understood it. Books were for burning, along with the houses in which they were hidden.
Guy Montag was a fireman whose job it was to start fires. And he enjoyed his job. He had been a fireman for ten years, and he had never questioned the pleasure of the midnight runs or the joy of watching pages consumed by flames, never questioned anything until he met a seventeen-year-old girl who told him of a past when people were not afraid. Then Guy met a professor who told him of a future in which people could think. And Guy Montag suddenly realized what he had to do.
readafew: Both books are about keeping the people in control and ignorant.
BookshelfMonstrosity: A man's romance-inspired defiance of menacing, repressive governments in bleak futures are the themes of these compelling novels. Control of language and monitors that both broadcast to and spy on people are key motifs. Both are dramatic, haunting, and thought-provoking.… (mais)
grizzly.anderson: A great study of how Bradbury came to write Fahrenheit 451 as a progress through his own short stories, letters and drafts. A similar collection of stories but without some of the other material is also available as "A Pleasure To Burn"
lquilter: "A Gift Upon the Shore" is a post-apocalyptic world; some people seek to preserve books and knowledge, but they are seen as a danger to others. Beautifully written.
There was something about this book that stopped me really loving it. I think I don't quite get along with Bradbury's style of writing (perhaps I need to slow down a bit more, but as I wasn't enjoying it so much I wanted to push on through). There were some great ideas in here too, but maybe a touch simplistic. ( )
Despite being a fan of sci-fi, this is my first Ray Bradbury novel... and in reading it I was quickly put under a spell. The language is lovely and adorned, but not pretentious. I read this via the audiobook, narrated by Tim Robbins, who did a wonderful job. I'll need to read it again at some point to pick up on some of the nuance, but what I was left feeling was an overwhelming sense that this is not too far askew from reality. This is a state we could find ourselves in. This is fiction, but it only feels two steps to the right of non-fiction. Fahrenheit 451 is an important book, about the perils of relinquishing control and losing sight of reality... and no matter what, I'll keep it stored in my memory as such. ( )
Guy Montag (fireman), Mildred Montag (his wife}, Clarisse McClellan (the girl next door who opens Guy's eyes), Beatty (Guy's supervisor), Faber (Guy's illicit friend who talks in his ear), Mrs. Clara Phelps, Mrs. John Bowles (Mildred's friends), Stoneman, Black, and Granger. Guy is a disgruntled fireman after he is raids an old woman's house to burn her books. She refuses to leave and ends up striking the match that burns her books, her house, and her books. Guy has also taken one of her books to add to his hidden collection at home. ( )
I will be working through all of Bradbury's books but I started with my favorite. This book may even be scarier today than when I read it as a kid. ( )
Classique parmi les classiques, Fahrenheit 451 est à la SF ce que le Dracula de Stocker est au fantastique. Cette œuvre est une contre-utopie à la mesure du Meilleur des mondes de Huxley ou à 1984 de Orwell. C’est dire…
This intriguing idea might well serve as a foundation on which to build a worst of all possible worlds. And to a certain extent it does not seem implausible. Unfortunately, Bradbury goes little further than his basic hypothesis. The rest of the equation is jerry-built.
Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
"If they give you ruled paper, write the other way." — Juan Ramón Jiménez
FAHRENHEIT 451: the temperature at which book-paper catches fire and burns
Dedicatória
Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
This one, with gratitude, is for Don Congdon
Primeiras palavras
Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
It was a pleasure to burn.
Citações
Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away.
But that's the wonderful things about man; he never gets so discouraged or disgusted that he gives up doing it all over again, because he knows very well it is important and worth the doing.
But remember that the Captain belongs to the most dangerous enemy of truth and freedom, the solid unmoving cattle of the majority. Oh, God, the terrible tyranny of the majority.
I'm afraid of children my own age. they kill each other. Did it always use to be that way? My uncle says no. Six of my firends have been shot in the last year alone. Ten of them died in car wrecks. I'm afraid of them and they don't like me because I'm afraid. My uncle says his grandfather remembered when children didn't kill each other. But that was a long time ago when they had things different. They believed in responsibility, my uncle says. Do you know, I'm responsible. I was spanked when I needed it, years ago. And I do all the shopping and housecleaning by hand.
The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it's not books at all you're looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. There is nothing magical in them at all. The magic is only in what books say, how they stitched the patches of the universe together into one garment for us. Of course you couldn't know this, of course you still can't understand what I mean when I say all this.
There is more than one way to burn a book. And the world is full of people running about with lit matches. Every minority, be it Baptist/Unitarian, Irish/Italian/Octogenarian/Zen Buddhist, Zionist/Seventh-day Adventist, Women’s Lib/Republican, Mattachine/FourSquareGospel feels it has the will, the right, the duty to douse the kerosene, light the fuse. Every dimwit editor who sees himself as the source of all dreary blanc-mange plain porridge unleavened literature, licks his guillotine and eyes the neck of any author who dares to speak above a whisper or write above a nursery rhyme.
Do your own bit of saving, and if you drown, at least die knowing you were heading for shore.
Do you know why books such as this are so important? Because they have quality. And what does the word quality mean? To me it means texture. This book has pores. It has features. This book can go under the microscope. You'd find life under the glass, streaming past in infinite profusion. The more pores, the more truthfully recorded details of life per square inch you can get on a sheet of paper, the more "literary" you are. That's my definition, anyway. Telling detail. Fresh detail. The good writers touch life often.
Most of us can't rush around talking to everyone, know all the cities of the world, we haven't time, money or that many friends. The things you're looking for, Montag, are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book.
"Stuff your eyes with wonder," he said, "live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal."
Últimas palavras
Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
The system was simple. Everyone understood it. Books were for burning, along with the houses in which they were hidden.
Guy Montag was a fireman whose job it was to start fires. And he enjoyed his job. He had been a fireman for ten years, and he had never questioned the pleasure of the midnight runs or the joy of watching pages consumed by flames, never questioned anything until he met a seventeen-year-old girl who told him of a past when people were not afraid. Then Guy met a professor who told him of a future in which people could think. And Guy Montag suddenly realized what he had to do.
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Kammbia1's Review of Ray Bradbury's Fahrenheit 451
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