This catalogue accompanies the first major solo exhibition in London for Douglas Gordon, one of the most prominent artists of his generation. The exhibition will include work not yet seen in this country alongside more familiar pieces such as 24 Hour Psycho, which first brought the artist to international attention, and which has so rapidly become a touchstone in recent contemporary art. Often epic in scale, Gordon's work encompasses film, photography, installation, text and sound. He uses both appropriated and original material to explore dichotomies such as fact and fiction, innocence and guilt, life and death, good and evil. This fully-illustrated catalogue includes an autobiography and a visual essay by Francis McKee.