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To Cork or Not To Cork: Tradition, Romance, Science, and the Battle for the Wine Bottle

por George M. Taber

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In Judgment of Paris, George M. Taber masterfully chronicled the historic 1976 wine tasting when unknown California wines defeated top French ones, marking a major turning point in wine history. Now he explores the most controversial topic in the world of wine: What product should be used to seal a bottle? Should it be cork, plastic, glass, a screwcap, or some other type of closure still to be invented? For nearly four centuries virtually every bottle of wine had a cork in it. But starting in the 1970s, a revolution began to topple the cork monopoly. In recent years, the rebellion has been gathering strength. Belatedly, the cork industry began fighting back, while trying to retain its predominant position. Each year 20 billion closures go onto wine bottles, and, increasingly, they are not corks. The cause of the onslaught against cork is an obscure chemical compound known as TCA. In amounts as low as several parts per trillion, the compound can make a $400 bottle of wine smell like wet newspaper and taste equally bad. Such wine is said to be "corked." While cork's enemies urge people to throw off the old and embrace new closures, millions of wine drinkers around the world are still in love with the romance of the cork and the ceremony of opening a bottle. With a thorough command of history, science, winemaking, and marketing, Taber examines all sides of the debate. Along the way, he collects a host of great characters and pivotal moments in the production, storage, and consumption of wine, and paints a truly satisfying portrait of a wholly intriguing controversy. As Australian winemaker Brian Croser describes it: "It's scary how passionate people can be on this topic. Prejudice and extreme positions have taken over, and science has often gone out the window."… (mais)
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An interesting, but scattered review of the history of wine closures. ( )
  wickenden | Mar 8, 2021 |
"To the wine consuming public," Taber writes, "a cork is a cork is a cork," but Taber goes on to explain the wide variation in the methods and history of cork production. His narrative explores the dreaded cork taint causes as well as the alternatives.
  AmronGravett | Mar 3, 2013 |
I thoroughly enjoyed this book. Taber takes you through a mostly-chronological tour of the history of wine closures. He doesn't come across as preferring cork over any other closures (screw-top, glass etc.) and reveals the pros and cons of all closures. If you enjoyed his first book ("The Judgement of Paris") you might enjoy this! ( )
  cathoo | Jan 13, 2009 |
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To Cork or Not To Cork again demonstrates Taber's skills as an investigative journalist and beautifully showcases his clear and cogent writing. There aren't many page turners in the world of wine books, but this definitive history of wine closures comes awfully close.

Taber manages to coax a dramatic narrative out of an incredible array of research sources, starting from the historical and scientific background of corks, through the method of their production, the history of the industry, and the remarkable array of alternative closures that have arisen in the past few decades.
adicionada por bongiovi | editarVINOGRAPHY: a wine blog (May 31, 2008)
 
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In Judgment of Paris, George M. Taber masterfully chronicled the historic 1976 wine tasting when unknown California wines defeated top French ones, marking a major turning point in wine history. Now he explores the most controversial topic in the world of wine: What product should be used to seal a bottle? Should it be cork, plastic, glass, a screwcap, or some other type of closure still to be invented? For nearly four centuries virtually every bottle of wine had a cork in it. But starting in the 1970s, a revolution began to topple the cork monopoly. In recent years, the rebellion has been gathering strength. Belatedly, the cork industry began fighting back, while trying to retain its predominant position. Each year 20 billion closures go onto wine bottles, and, increasingly, they are not corks. The cause of the onslaught against cork is an obscure chemical compound known as TCA. In amounts as low as several parts per trillion, the compound can make a $400 bottle of wine smell like wet newspaper and taste equally bad. Such wine is said to be "corked." While cork's enemies urge people to throw off the old and embrace new closures, millions of wine drinkers around the world are still in love with the romance of the cork and the ceremony of opening a bottle. With a thorough command of history, science, winemaking, and marketing, Taber examines all sides of the debate. Along the way, he collects a host of great characters and pivotal moments in the production, storage, and consumption of wine, and paints a truly satisfying portrait of a wholly intriguing controversy. As Australian winemaker Brian Croser describes it: "It's scary how passionate people can be on this topic. Prejudice and extreme positions have taken over, and science has often gone out the window."

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