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A carregar... Women in Italian Renaissance Art: Gender, Representation and Identity (1997)por Paola Tinagli
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Between c1350 and c1650, Italian urban societies saw much debate on women1s nature, roles, education, and behaviour. This book fills a gap in the still burgeoning literature on all aspects of women1s lives in this period. Using a broad range of material, most of which never translated before,this book illuminates the ideals and realities informing the lives of women within the context of civic and courtly culture in Renaissance Italy. The text is divided into three sections: contemporary views on the nature of women, and ethical and aesthetic ideals seen as suitable to them; life cycles from birth to death, punctuated by the rites of passage of betrothal, marriage and widowhood; women1s roles in the convent, the court, theworkplace, and in cultural life.Through their exploration of these themes, Mary Rogers and Paola Tinagli demonstrate that there was no single "Renaissance woman". The realities of women1s experiences were rich and various, and their voices speak of diverse possibilities for emotionally rich andsocially useful lives. Não foram encontradas descrições de bibliotecas. |
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Google Books — A carregar... GénerosSistema Decimal de Melvil (DDC)757.4The arts Painting Portrait WomenClassificação da Biblioteca do Congresso dos EUA (LCC)AvaliaçãoMédia:
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