The Blue Butterfly has two points of departure. The first is a Nazi massacre in former Yugoslavia. On 21 October 1941, seven thousand men and boys from Kragujevac, a town in central Serbia, were marched out to the nearby hills and gunned down. The poet Richard Burns visited the site of this atrocity, on 25 May 1985. As he was queuing to enter the memorial museum, a blue butterfly descended onto the forefinger of his writing hand. This extraordinary and powerful book takes off from these two episodes. The title poem is already famous in former Yugoslavia in the translation by Danilo Kis and Ivan V. Lalic. In Serbia, Burns has recently been honoured with the international Morava Prize for Poetry. In the UK, an early unpublished draft of this sequence was awarded the Wingate-Jewish Quarterly Prize in 1992. The Blue Butterfly unflinchingly explores both revenge and forgiveness, expanding from the Balkan historical context to the present time. The complete book has been a long time in the making. from asking large questions, because it shapes a crafted, vital, living poetry out of suffering and tragedy, and because it insists on hope and pleads for joy, this is a book which has moral implications on many levels. Both passionate and thoughtful, demanding and rewarding, it is European in context and universal in scope and relevance. For more than twenty years Richard Burns has maintained a close involvement with life, culture and politics in the Balkans, especially Greece and former Yugoslavia. He lived and worked in Yugoslavia between 1987 and 1991, immediately before the wars that broke that country apart. Out of this have come two books, and a third is on the way. Of these three, The Blue Butterfly is the centrepiece. To be published in April 2006 by Salt Publishing, Cambridge, is it also the second volume in Burns's ongoing series of Selected Writings.