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A carregar... Nine Playspor Eugene O'Neill
A carregar...
Adira ao LibraryThing para descobrir se irá gostar deste livro. Ainda não há conversas na Discussão sobre este livro. The author balances on the edge between modernism and post-modernism, and creates a unique style that is all his own. Using extensive set directions, and even micro-managing the appearance of the characters, O'Neill creates a visual world that is best described as realistic; his plots careen wildly from scene to scene, mixing continents, time periods, and characters into a blend that is confusing, exhilarating, and just plain kooky at times. Many of the plays would be difficult to perform in the modern world, with as many as 60 characters on stage in a single scene, and with extremely elaborate, detailed sets that switch quickly to other equally elaborate, detailed sets. As for plot, these plays were written in a time when science was just beginning to thrust aside tradition and religion, and the uneasiness with the new order erupts through every scene, as the author attempts to find some balance between a fusty old faith that feels comfortable, and a fearful new shiny, seemingly faceless and soulless modern scientific world. The fear of science and modernity seems to drive these plays at a frenetic pace, but at the same time, there appears to be some level of aversion to what came before. In short, a lot to think about. ( ) sem críticas | adicionar uma crítica
Pertence à Série da EditoraModern Library Giant (G55) Contém
This 829 page book contains the following O'Neill plays: The Emporer Jones, the Hairy Ape, All God's Chillun Got Wings, Desire Under the Elms, Marco Millions, The Great God Brown, Lazarus Laughed, Strange Interlude and Mourning Becomes Electra. Não foram encontradas descrições de bibliotecas. |
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Google Books — A carregar... GénerosSistema Decimal de Melvil (DDC)812.52Literature English (North America) American drama 20th Century 1900-1945Classificação da Biblioteca do Congresso dos EUA (LCC)AvaliaçãoMédia:
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