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A carregar... Vanished Act: The Life and Art of Weldon Keespor James Reidel
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Critic, novelist, filmmaker, jazz musician, painter, and, above all, poet, Weldon Kees performed, practiced, and published with the best of his generation of artists--the so-called middle generation, which included Robert Lowell, Elizabeth Bishop, and John Berryman. His dramatic disappearance (a probable suicide) at the age of forty-one, his movie-star good looks, his role in various movements of the day, and his shifting relationships with key figures in the arts have made him one of the more intriguing--and elusive--artists of the time. In this long-awaited biography, James Reidel presents the first full account of Kees's troubled yet remarkably accomplished life. Reidel traces Kees's career from his birth in 1914 and boyhood in Beatrice, Nebraska, to his stint as an award-winning short-story writer and novelist, his rise as a poet and critic in New York, his branching off into abstract expressionism, jazz music, and theater, and his experimental and scientific filmmaking and photography. Going beyond the cult status that has grown up around Kees over the years, this work fairly and judiciously places him as a cultural adventurer at a particularly rich and significant moment in postwar twentieth-century America. Não foram encontradas descrições de bibliotecas. |
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Google Books — A carregar... GénerosSistema Decimal de Melvil (DDC)700.92The arts Modified subdivisions of the arts Standard subdivisions of the arts Historical, geographic, persons treatment of the arts BiographyClassificação da Biblioteca do Congresso dos EUA (LCC)AvaliaçãoMédia:
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The mirror from Mexico, stuck to the wall,
Reflects nothing at all. The glass is black.
Robinson alone provides the image Robinsonian.
While Kees is no Robinson, his life traces a pattern of detachment and disappointment that ends with his suicide on the Golden Gate Bridge. He left no note nor was his body found: a disappearance. Yet, he accomplished a great deal: his poetry is excellent, he wrote about art in The Nation and literature in Time, he wrote brilliant short stories, exhibited paintings with the nascent abstract expressionists in New York, and made experimental films in San Francisco. For time, he seemed to know every major figure in the cultural world of post-war United States. But he was always slightly to one side, the major publication or breakthrough exhibition always tantalizingly out of reach.
For anyone who has lived the bohemian life, the pattern of Kees life is familiar and this biography captures that milieu of the 1940s and 50s. It's a fascinating read.
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