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Frank Paulin: Out of the Limelight

por Frank Paulin

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Twin Palms is pleased to be distributing Frank Paulin: Out of the Limelight, published by Silverstein Photography. Born in 1926, Paulin came of age as a photographer in the 1940s studying with the likes of Harry Callahan and art director Alexey Brodovitch. By the 1950s, the streets of New York City had established themselves as Paulin's primary muse, and black-and-white film his medium. The book features images from his prodigous body of work created over four decades, in New York City, as well as Paris, Seville, New Orleans and Atlantic City. Street photographers are of course well known for their agility, quick reflexes, and elusive conduct. In order to catch a social reality on the wing, they behave as surreptitious observers, hopefully unnoticed by passersby... What comes out of this practice is serendipitous and clandestine work that demands patience. In Frank Paulin's case, they include encounters that he let happen or couldn't help... He works between split second decision… (mais)
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A photograph is two things. First, it is proof of existence. A captured moment preserved in infinity; one that says "I was here, and I existed." Second, it is the most powerful storytelling medium. Photographs, at a glance, can invoke feelings and emotions that lack words to describe them. And, in the case of Frank Paulin, these photos were captured in fractions of seconds, showing wonderful fragments of life. ( )
  edwasho | Apr 13, 2021 |
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Twin Palms is pleased to be distributing Frank Paulin: Out of the Limelight, published by Silverstein Photography. Born in 1926, Paulin came of age as a photographer in the 1940s studying with the likes of Harry Callahan and art director Alexey Brodovitch. By the 1950s, the streets of New York City had established themselves as Paulin's primary muse, and black-and-white film his medium. The book features images from his prodigous body of work created over four decades, in New York City, as well as Paris, Seville, New Orleans and Atlantic City. Street photographers are of course well known for their agility, quick reflexes, and elusive conduct. In order to catch a social reality on the wing, they behave as surreptitious observers, hopefully unnoticed by passersby... What comes out of this practice is serendipitous and clandestine work that demands patience. In Frank Paulin's case, they include encounters that he let happen or couldn't help... He works between split second decision

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