Carregue numa fotografia para ir para os Livros Google.
|
A carregar... Life (original 2010; edição 2010)por Keith Richards, James Fox (Contribuidor)
Informação Sobre a ObraLife por Keith Richards (2010)
   Ainda não há conversas na Discussão sobre este livro.   ) gonzocc | Mar 31, 2024 |  Full Review at: https://www.austcrimefiction.org/review/life-keith-richards ( ) austcrimefiction | Oct 4, 2023 |  ) tuckerresearch | Feb 10, 2023 | Richards first took an interest in music by listening to the radio with his mother, then Elvis flipped the switch for real and music became his obsession. The Stones started by teaching themselves to play Chicago blues from records, “unpaid promoters for Chicago blues.” Writing songs wasn’t the priority at first. “We were just playing American music to English people.” Their manager, Andrew Oldham, astutely made Mick and Keith start writing music of their own. We know how that went. At some point in the book you get the impression that Keith is a brilliant musician to the exclusion of most everything else, except for drugs for a long time. You can see he truly cherishes music, musicians and collaboration with the like-minded. It seems the money and fame are good, but not the point of it all. ( ) Hagelstein | Nov 2, 2022 | ) EmilyRaible | Sep 27, 2022 |
 Troligtvis är det mesta sant då det gäller denna 68-årige gitarrhjälte. En sann bad boy med ibland överdriven smak för livets goda – och dåliga. Man behöver inte bläddra allt för många sidor innan den ena anekdoten radas upp efter den andra. [...] Den engelska originalversionen av boken ger en mer rättvis känsla av Keith Richards berättande. Svenska översättningen räcker inte riktigt till och den torra brittiska humorn blir inte lika framträdande. If you can remember the Sixties, blah blah blah. Boy can Keith Richards remember the Sixties, which is great. The real miracle is that he can remember the Seventies, considering that Keith’s poison was heroin, which would surely make performing in a high-energy band quite difficult, let alone raising two children, with a heroin-addicted Anita Pallenberg. So the very existence of this book is a marker against the ravages of time. It suggests that Richards’s memory is fresh in a way that his face isn’t. His memory has had a little help: there are letters he sent to relatives, and even a diary, as well as testaments from friends and garnering from other people’s memoirs. Goodness, there’s enough material to start an archive in somewhere like Texas, or for Andrew Motion to contemplate an official biography. For now, though, we have a lot of kind, perhaps even indulgent, transcription from James Fox. The survivor's story is one of the predominant narratives of our time. It usually traces a familiar arc from excess through despair to redemption, and, as such, allows us to enjoy the vicarious thrill of voyeurism within the framework of a cautionary or salutary tale. Life by Keith Richards, the most famous survivor of them all, breaks with this tradition insofar as it contains excess aplenty but hardly any despair and very little redemption. Keith did it all, had a hell of a good time, and survived to brag about it.  Mick Jagger has always looked -- will always look -- like Mick Jagger. But try to connect the glum schoolboy-guitarist of early '60s black-and-white pics with the Keith Richards of today. A heap of living and occasional bouts of near-dying have gone into that flayed, weathered, kohl-eyed visage, whose topography suggests a moonscape irrigated with Jack Daniel's. After half a century on the road, Richards has the face he deserves -- but not, it appears, the brain. Against all pharmaceutical odds, he has held on to a substantial portion of his own history and has turned it into the most scabrously honest and essential rock memoir in a long time....And yet here he is, defiantly alive, and defiant in every other respect, too, his language just as politically incorrect, his judgments every bit as summary. “Life” is way more than a revealing showbiz memoir. It is also a high-def, high-velocity portrait of the era when rock ’n’ roll came of age, a raw report from deep inside the counterculture maelstrom of how that music swept like a tsunami over Britain and the United States. It’s an eye-opening all-nighter in the studio with a master craftsman disclosing the alchemical secrets of his art. And it’s the intimate and moving story of one man’s long strange trip over the decades, told in dead-on, visceral prose without any of the pretense, caution or self-consciousness that usually attend great artists sitting for their self-portraits. PrémiosDistinctionsNotable Lists
Referências a esta obra em recursos externos.
|
Current DiscussionsNenhum(a)Capas populares
 Google Books — A carregar...GénerosSistema Decimal de Melvil (DDC)782.42166092The arts Music Vocal music Secular Forms of vocal music Secular songs General principles and musical forms Song genres Rock songs History, geographic treatment, biography BiographyClassificação da Biblioteca do Congresso dos EUA (LCC)AvaliaçãoMédia: (3.85)
É você?Torne-se num Autor LibraryThing. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
9