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Poetics, the singular subject, the screened mind-body-unconsciousness, and the human examining itself, is "apparently" Burke's bailiwick.

One of the major themes of Burke's criticism is "victimage". He finds in food, in character, in Commandments, and in the aching words.

Chapter Six is entitled "I, Eye, Ay--Concerning Emerson's Early Essay on 'Nature,' and the Machinery of Transcendence". Burke finds the Essay more than a Happiness Pill. He understands the charm and buoyancy of it, and concurs with the accuracy of naming it "transcendence". [187]

In "The Seven Offices" Burke sought to decide how few functions people really performed for each other. The first six are: Govern (rule); Serve (material provision); Defend; Teach; Entertain; Cure. He later added Console.

After comparing Emerson's medicine to Socratic, as shredded by Nietzsche's Twilight, Burke loves Emerson for his "idealistic upsurge". "Even in those days, I feel sure, both he and Whitman suspected they might be whistling in the dark. But they loved the gesture (if whistling is a gesture)...Emerson's scheme for transcendence ... propounded before his fellow townsmen had lost their sense of a happy, predestined future."

There was not yet the crying need to turn to, and begin hoarding, relics of an "ancestral past", like "an unregenerate Southerner's attic, with its trunkload of Confederate money". [192]

As if studying Scripture, which of course it is, Burke approaches the form of the essay, "Nature". He examines its terministic conditions, the material sensations he calls "apocalyptic" in the sense that word means "revealing", and that is how Emerson uses the word. He traces Emerson's resonant examination of "facts seen in light of ideas". Setting up Supernature, or stylistic bridges (intermediaries) for a dialectic theology. You make the distinction between "God" and "Man", bridged as "God-Man".

Burke invokes the three canticles of the Divine Comedy which end on references to the stars, and proposes calling Emerson "starry-eyed". [193] Emerson become transparent eyeball, as he spoke of the universe through which the light of a higher law shines. [194]

He recognizes Emerson's transcendentalism as disciplinary view of Social Structure as Nature. The discordant "Property and its filial systems of debt and credit"--which grind the widow, the orphan, and the sons of genius--is a preceptor whose lessons cannot be foregone, and "is needed most by those who suffer from it most". [196] A preceptor!
 
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keylawk | Nov 16, 2019 |
Kenneth Burke is verbose, but he is still the authority on rhetoric and language. A Rhetoric of Motives is one of his books on those subjects and are useful for students in higher education.½
 
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06nwingert | Sep 15, 2011 |
Especially chapter 3, occupational psychosis ... I wonder if I would understand anything about rhetoric without this indispensible book
 
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arod | Jun 26, 2007 |
No book influenced me more than this in writing my dissertation on premodern Malay letters
 
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arod | Jun 26, 2007 |
www.parlorpress.com/shakespeare.html
 
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happyfew | 1 outra crítica | Mar 14, 2007 |
Contains two of the greatest essays on rhetoric penned in the 20th century: "Terministic Screens" and "Definition of Man." I will admit I haven't read another essay in the volume, but those two are so good I can't imagine giving this book anything but five stars.
 
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marccsantos | Mar 12, 2007 |
A close reading of St. Augustine. Perhaps TOO close!
 
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kencf0618 | Dec 17, 2005 |
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