Picture of author.

William J. Conklin (1923–2018)

Autor(a) de Great Museums of the World: Museums of the Andes

5 Works 74 Membros 1 Review

About the Author

Image credit: William J. Conklin

Obras por William J. Conklin

Etiquetado

Conhecimento Comum

Nome canónico
Conklin, William J.
Data de nascimento
1923-05-02
Data de falecimento
2018-11-22
Sexo
male
Nacionalidade
USA
Local de nascimento
Hebron, Nebraska, USA
Local de falecimento
Mitchellville, Maryland, USA
Locais de residência
Washington, D.C., USA
Educação
Phillips Exeter Academy
Doane College (BS - cum laude - Chemistry)
Harvard University (MA - Architecture)
self-taught scholar of Andean textiles
Ocupações
architect
urban planner
scholar of Andean textiles
weaver
author of multiple publications about Andean textiles
Relações
Conklin, Barbara M. (spouse)
Conklin, Christopher J. (son)
Bird, Junius (colleague)
Rossant, James S. (colleague and former business partner)
Organizações
New York City Landmarks Preservation Commission (former president)
American Institute of Architects (former president ∙ New York City chapter)
Society for the Arts, Religion and Contemporary Cultures [ARC] (former president)
Institute of Andean Studies, University of California, Berkeley (research associate)
Textile Museum at George Washington University (research associate)
U.S. Navy
Prémios e menções honrosas
Ailsa Mellon Bruce Fellowship, Center for Advanced Study in the Visual Arts, National Gallery
recipient of more than 50 architecture and urban planning awards

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interest in historic textiles; serves as a research associate at the Institute of Andean Studies in Berkeley and at the Textile Museum in Washington; designed the U.S. Navy Memorial in Washington, D.C.

Membros

Críticas

Despite what the title suggests, this is not a book about Museums in the Andes but about the Pre-Columbian art of Peru. The book is divided into the classic periods proposed by John H. Rowe:

Early Horizon
Early Intermediate Period
Middle Horizon
Late Intermediate Period
Late Horizon

The Horizons are characterized by the widespread influence of one or two cultures, while the Periods are characterized by a greater diversity of regional styles.

All 142 photos are in color and reproduced with high quality, and the descriptions of each piece are useful and readable. The book works well as either a browsable coffee-table book or a reference work. Pottery, textiles, and metallurgy are covered, while architecture is left out entirely. The focus is on the better-known cultures: Chavin, Paracas, Moche, Nasca, Tiahuanaco, Huari, Chimu, Chancay, and Inca. There are is only one Vicus piece and two Recuay, and many other cultures are left out. Still, this is a good place to start for anyone interested in Peruvian archaeology. It may be better not to get overwhelmed with an exhaustive treatment of the incredibly rich and diverse legacy of Peru's past.

The pieces are mostly from the Amano Museum and The National Museum of Archaeology, Anthropology, and History, with some from the Gold Museum. So if you were to buy one of the books on the Larco (Peru's biggest, greatest museum), it would complement this book nicely.
… (mais)
 
Assinalado
meowmix | Oct 5, 2014 |

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Estatísticas

Obras
5
Membros
74
Popularidade
#238,154
Avaliação
3.8
Críticas
1
ISBN
5

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