Picture of author.

Wesley Dennis (1903–1966)

Autor(a) de Benjamin West and His Cat Grimalkin

12+ Works 1,218 Membros 8 Críticas 3 Favorited

About the Author

Includes the name: Wesley Dennis

Séries

Obras por Wesley Dennis

Flip (1941) 220 exemplares
Flip and the Morning (1950) 102 exemplares
Flip and the Cows (1942) 83 exemplares
Tumble: The Story of a Mustang (1966) — Autor — 57 exemplares
Palomino and Other Horses (1950) 15 exemplares
a crow I know (1957) 13 exemplares
Holiday 1 exemplar
Sea star 1 exemplar

Associated Works

Black Beauty: The Autobiography of a Horse (1877) — Ilustrador, algumas edições18,042 exemplares
Misty of Chincoteague (1947) — Ilustrador, algumas edições7,965 exemplares
King of the Wind: The Story of the Godolphin Arabian (1948) — Ilustrador, algumas edições5,854 exemplares
The Red Pony (1933) — Ilustrador, algumas edições5,484 exemplares
Justin Morgan Had a Horse (1945) — Ilustrador — 3,169 exemplares
Stormy, Misty's Foal (1947) — Ilustrador — 3,024 exemplares
Sea Star: Orphan of Chincoteague (1949) — Ilustrador — 2,693 exemplares
Brighty of the Grand Canyon (1953) — Ilustrador — 2,663 exemplares
Mustang: Wild Spirit of the West (1966) — Ilustrador, algumas edições1,469 exemplares
Album of Horses (1951) — Ilustrador — 1,166 exemplares
Black Gold (1957) — Ilustrador; Ilustrador — 1,107 exemplares
White Stallion of Lipizza (1964) — Ilustrador — 1,014 exemplares
Born to Trot (1950) — Ilustrador — 810 exemplares
San Domingo: The Medicine Hat Stallion (1972) — Ilustrador, algumas edições710 exemplares
Five O'Clock Charlie (1962) — Ilustrador — 251 exemplares
Cinnabar: The One O'Clock Fox (1956) — Ilustrador — 251 exemplares
Misty Treasury (Misty, Sea Star, and Stormy) (1902) — Ilustrador, algumas edições147 exemplares
Birds at Home (1942) — Ilustrador — 120 exemplares
The Little Horse that Raced a Train (1959) — Ilustrador — 80 exemplares
Golden Sovereign (1945) — Ilustrador — 79 exemplares
Album of Dogs (1955) — Ilustrador, algumas edições73 exemplares
Ride Like an Indian! (1956) — Ilustrador, algumas edições68 exemplares
Shamrock Queen (Always Reddy) (1947) — Ilustrador — 63 exemplares
Bluegrass Champion (1949) — Ilustrador — 48 exemplares
The Illustrated Marguerite Henry (1980) — Ilustrador — 35 exemplares
The Red Pony [Penguin Readers] (2001) — Ilustrador — 33 exemplares
Muley Ears: Nobody's Dog (1959) — Ilustrador — 28 exemplares
Ticktock and Jim: The Story of a Modern Pony Express (1948) — Ilustrador — 25 exemplares
Prairie Colt (1947) — Ilustrador — 17 exemplares
Animal Friends Story Book (1928) — Ilustrador — 14 exemplares
Copper Khan (1950) — Ilustrador — 14 exemplares
Davy's Little Horse [A Rand McNally Elf Book] (1956) — Ilustrador — 7 exemplares
24 Horses: A Treasury of Stories (1953) — Ilustrador — 6 exemplares
Lance and Cowboy Billy (1950) — Ilustrador — 6 exemplares
Lance and His First Horse (1949) — Ilustrador — 5 exemplares
Little-or-Nothing from Nottingham — Ilustrador — 5 exemplares
A Treasury of Dog Stories (1949) — Ilustrador — 4 exemplares
Lord Buff and the Silver Star. (1955) — Ilustrador — 4 exemplares

Etiquetado

Conhecimento Comum

Nome legal
Dennis, John Wesley
Data de nascimento
1903-05-16
Data de falecimento
1966-09-05
Sexo
male
Nacionalidade
USA
Local de nascimento
Massachusetts, USA
Ocupações
children's book illustrator
children's book author

Membros

Críticas

Tumble the wild mustang is introduced, and then half the book is immediately given over to a brief history of horses in North America before coming back to Tumble and his capture by men who put the spirited steed in a rodeo as a bucking bronco. Tumble yearns to be free and jumps at the first chance that comes along.

With only a sentence or two per page, this spare and barely there tale is like a precursor to Spirit: Stallion of the Cimarron and only takes a couple minutes to read.
 
Assinalado
villemezbrown | Mar 18, 2024 |
Good little book from one of my favorite childhood authors. I never read this one as a kid, but my dad lost my old books so I recently bought a Marguerite Henry box set that includes this book.

Benjamin West is a 7- to 8-year-old Quaker boy a day's ride outside of Philadelphia. He and his large family run Door Latch Inn. Quakers don't have decor because life must be strictly practical. However, he dreams of painting. He adopts a black cat from a German boy that tried to rescue it, and named it Grimalkin. Grimalkin accompanies Benjamin from his first attempt at drawing, learning to use pigments from the Native Americans, meet important people in Philadelphia, and ultimately winning him a future outside conventional Quaker rules. That is history, and Henry weaves it into a comfy fictional narrative.

My main complaint is the pacing. We know what becomes of Benjamin in his adulthood, and this book focuses on his start. However, since it focuses on that first year or so, I kept feeling like I was still reading the first few chapters of a book--it didn't feel progressive. I'm not sure how Henry's writing had this effect on me, or if it was entirely just my mood.

Ultimately I put this story in the "sweet and simple" category. There's nothing truly wrong with it to me, but it also wasn't anything incredible. Just a gentle good.
… (mais)
 
Assinalado
leah_markum | 3 outras críticas | Oct 28, 2022 |
Benjamin West was born with an extraordinary gift—the gift of creating paintings of people, animals, and landscapes so true to life they “took one’s breath away.” But Benjamin is part of a deeply religious Quaker family, and Quaker beliefs forbid the creation of images. Because Benjamin’s family didn’t approve of his art, he had to make his own painting supplies. The local Native Americans taught him how to mix paints from earth, clay, and plants. And his cat, Grimalkin, sacrificed hair from his tail for Ben’s brushes.… (mais)
 
Assinalado
wichitafriendsschool | 3 outras críticas | Aug 29, 2022 |
Benjamin West was born with an extraordinary gift—the gift of creating paintings of people, animals, and landscapes so true to life they “took one’s breath away.” But Benjamin is part of a deeply religious Quaker family, and Quaker beliefs forbid the creation of images.
Because Benjamin’s family didn’t approve of his art, he had to make his own painting supplies. The local Native Americans taught him how to mix paints from earth, clay, and plants. And his cat, Grimalkin, sacrificed hair from his tail for Ben’s brushes.… (mais)
 
Assinalado
wpcalibrary | 3 outras críticas | Jun 15, 2022 |

Listas

Prémios

You May Also Like

Associated Authors

Estatísticas

Obras
12
Also by
43
Membros
1,218
Popularidade
#21,082
Avaliação
3.9
Críticas
8
ISBN
26
Marcado como favorito
3

Tabelas & Gráficos