Kerry Drewery

The story of a young man who survived the bombing of Hiroshima, slipping between the bombing and the aftermath, and the present day (set as 2018).

This was a quick read, not least because all of the present day story is written as poem. I respect the artistic choice of that, but I also hated it. I felt it left me outside the story, with no way to engage, and as such I really didn't click with the modern day part of the story.

I also get the artistic choice for the very pat ending, because it is important that that is what the story is working towards. (if this is a middle grade book, then that makes sense; it did not read as a middle grade book, especially given the way that the author's intro was written).… (mais)

What this book may have lacked in characterisation I felt it made up for in other areas. It was fast paced and kept up the suspense and mystery without it feeling too frustrating. The end was quite surprising but I was glad because I didn't want it to be too predictable. It was left on a sort of cliffhanger but not the one I thought it would be at the beginning when I realised this was the first of a trilogy.

The setting and plot were a pretty unique take on dystopia. I found myself getting angry at points when I was reading about how the media controls what people see and think because so much of it rang true of our society today. I found the use of screenplay type chapters throughout the book to describe the ongoing TV show very interesting. I've never read a book using this style before and I think it worked really well with the other narratives going on. However it was a little confusing at times as the narrative is told from several people's perspectives and tells it from a second-person viewpoint during some chapters. I think it might have been easier to read had it been told from the perspective of one person solely in either the first or third person.

The fact that hallucinations and distress are portrayed throughout this book I felt helped make it seem more realistic and helped me to connect with the main character a lot more.

All in all, I'd recommend this book.… (mais)

This is simply wonderful book. Split into three sections, it tells the story of the day the atomic bomb was dropped on the city of Hiroshima and intersperses this with updates in modern Japan. We watch the tragedy unfold from the perspective of a child, and find out what has happened to the main character Ichiro since. Has he been able to keep a promise he made? It’s heartbreaking and hopeful at the same time, which is an incredibly tricky balance to get right, but it succeeds brilliantly. Some of the book is written like a haiku (it took me a little while to get into this, but do bear with it as it’s completely worth it), some in prose and you’ll love the illustrations (well, I did) as well as the cover. PS I am definitely going to make the origami crane at the end!… (mais)

Publisher’s synopsis
1945, Hiroshima: Ichiro is a teenage boy relaxing at home with his friend Hiro. Moments later there is a blinding flash as the horrific nuclear bomb is dropped. With great bravery the two boys find Hiro’s five-year-old sister Keiko in the devastated and blasted landscape. With Hiro succumbing to his wounds, Ichiro is now the only one who can take care of Keiko. But in the chaos Ichiro loses her when he sets off to find help.
Seventy years later, the loss of Keiko and his broken promise to his dying friend are haunting the old man’s fading years. Mizuki, his granddaughter, is determined to help him. As the Japanese legend goes, if you have the patience to fold 1,000 paper cranes, you will find your heart’s desire; and it turns out her grandfather has only one more origami crane to fold ...

It’s hard to know where to start with trying to convey how such a horrifying and truly terrible story can also be described as beautiful, yet it is the author’s ability to convey this apparent contradiction which makes this one of the most powerful stories I’ve ever read about the ongoing psychological struggles experienced by survivors of Hiroshima. The narrative uses a combination of straightforward prose, free verse and haiku poems. To my surprise, I found that this made me slow down the pace of my reading, “forcing” me to take time to reflect on what I was reading, as well as the impact it was having on me. In addition, Natsko Seki’s simple, but starkly bold, illustrations capture such evocative images of the changed world Ichiro, Hiro and Keiko had to negotiate following the devastating effects of the bomb that they added an impressive depth to the storytelling, at times almost taking my breath away. I loved the fact that all the haikus were encircled by bold, red brush strokes because this too made me stop, reflect and then reread each one.
I don’t want to go into any details about the way in which the story develops because its impact lies in the gradual unfolding of Ichiro’s story, the immediate impact his experiences on the day of the bombing of his hometown, the ongoing effects of the trauma throughout the rest of his life, and the way in which his relationship with Mizuki, his caring, determined granddaughter, enables him, eventually, to confront the past and find peace. Not only did I immediately feel an emotional investment in each of these convincingly-portrayed characters, but the descriptions of the unrecognisable, bomb-devastated town teenage friends Ichiro and Hiro must negotiate to find five-year-old Keiko, were so powerful that I felt caught up in the horrific sights they were seeing, in their confusion about what had happened and their visceral fear of what was to come. This is a story about survivor’s guilt, secrets, shame, regret, loss and grief but is, ultimately, about courage, hope, friendship, love and redemption. There were various points in the story when I found myself in tears but I found myself sobbing as I read the beautifully captured emotion in the free verse which concludes Ichiro’s story.
I loved the Japanese legend of having the patience to fold a thousand paper cranes in order to achieve your heart’s desire and admired the creative way in which the author wove this thread throughout the story. The fact that there is a sheet of coloured paper at the end of the book, with detailed instructions on how to make your own origami crane adds something very special to this hauntingly, beautiful story.
In her author’s note Kerry Drewery, in reflecting on the fact that there are some events, some stories, which should never be forgotten, concludes by saying “Fear isn’t exclusive to any decade, gender, country or culture. Neither is guilt. Or love. The Last Paper Crane is about all those things.” I think that in this haunting, intensely moving and beautiful story she has conveyed this message with an intensity which is unforgettable. Just before going to serve in the war, Ichiro’s father had given him a four-volume book and made him promise to read it, saying “there is magic in books”. This is something I experienced in this book and think it’s a story which would appeal to all age groups. I cannot recommend it highly enough … and I cannot imagine that it won’t find a place on my “top ten reads of 2020”.
With many thanks to Readers First and the publisher for a copy of this book in exchange for an honest review.… (mais)