![Retrato do autor](https://pics.cdn.librarything.com//picsizes/82/5d/825dc294c46be8765494c7441514330414c5141_v5.jpg)
J. R. Harvey
Autor(a) de Men in Black
About the Author
Obras por J. R. Harvey
Etiquetado
Conhecimento Comum
- Nome legal
- Harvey, John Robert
- Outros nomes
- Harvey, John R.
Harvey, John - Data de nascimento
- 1942
- Sexo
- male
- Ocupações
- Life Fellow, Department of English, University of Cambridge
vice-master, Emmanuel College, Cambridge
Membros
Críticas
Prémios
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Associated Authors
Estatísticas
- Obras
- 6
- Membros
- 117
- Popularidade
- #168,597
- Avaliação
- 3.2
- Críticas
- 1
- ISBN
- 25
- Línguas
- 2
What followed was a combination of science, semiotics, and most prominently, art history. This is not so much the use of black in all of time and space as the use of black as fashion and paint, the style of black moreso than the story. It's myriad meanings are touched upon, and the chemical processes that underlie how we come to understand it, but most of the value of this book is in the art history.
Want to fall in love with El Greco? Or Rubens? Ever wonder why Tibetan Buddhism has black demons, or how hinduism can be derided as cock worship at times? Those stories are the function of The Story of Black. Similarly, why black is a sign of our current times, at least in conjecture. This is not necessarily the story of how to make things black, only why that might be their shade and hue.
At times depressing, and sometimes fascinating, be prepared to come out of the book with a lot more feelings about artists, and some slight confusion as to the creation of cast iron. Don't expect a story about why black looks like the future, when it might actually just be the past. As an art book, this is excellent. As something to discuss semiotics, this is acceptable. Anything beyond is lost in the horizon of the book, light that simply cannot escape the pull of the stellar blackness. Not inky or sharp, simply all consuming.… (mais)