Phil Jimenez

This is branded as a Wonder Woman comic, but Wonder Woman does not appear here. It goes back to the origins of the Amazons, exploring how the tribe of warrior women that ultimately gave birth to Wonder Woman came into existence. Skimming a timeline of DC history, I can see this ties together and dramatizes some preexisting material, but it totally stands on its own, and doesn't feel like a continuity patch or origin story. Indeed, the greatest thing you can say about it (and I speak this as someone who reads a lot of tie-in and franchise fiction) is that it transcends its origins as a tie-in comic. I would feel comfortable handing this to someone who doesn't enjoy superhero comics but does like graphic novels and wants to read a bold, dynamic take on Greek mythology, because that's what this is. It's not a rewriting of George Pérez (or whomever), it's a new myth designed to take its place among old ones.

The story starts with the Greek goddesses, who reach their breaking point with the ways men treat women, but find the gods unwilling to do anything about it, and so take things into their own hands. It then follows the doings of the gods, especially Hera, who refuses to overtly move against her husband's will, in parallel with the rise of the Amazon tribes, and a would-be human midwife who ends up encountering the Amazons as they travel across the world slaughtering men who hurt women, and then into a war where the gods attempt to eliminate the Amazons. It's an epic story, but the presence of Hippolyta, the midwife, keeps it grounded; I enjoyed her trajectory very much.

More importantly, though, writer Kelly Sue DeConnick has three top-notch artistic collaborators here. Phil Jimenez's work I honestly don't know that well (aside from event comics like Infinite Crisis and Dark Cybertron, which rarely showcase an artist at their best), but he had a well-regarded run as a writer and artist on Wonder Woman; here, he turns in some brilliant and beautiful two-page spreads, one of jars(!), but in particular, a few depicting Hippolyta's desperate pursuit of a lost infant. Gorgeous, heartbreaking stuff. Gene Ha I've liked since his Top Ten days, but this is probably career best work for him, his attention to character really capturing the struggle and emotions of Hippolyta as she seeks to become an Amazon. And Nicola Scott I've thought a solid artist since her debut on Birds of Prey; here, she knocks it out of the park with the war between the Amazons and the gods. For all three artists, the art is beautifully colored, and the deluxe hardcover collection really shows it off to its utmost; I don't always buy Hugo finalists outside of the category of Best Novel, but I am so glad I'm not reading this comic on my Kindle Fire.

If I had a complaint, it would be that I found the parameters of Hippolyta's key choice in the last issue kind of confusing and rushed, but I'm sure on a reread (this is a tough book to read, but not in a bad way; sometimes it's just nice to read a comic that makes you work a little harder than normal) it would hold up fine. The backmatter tease two more sets of three chapters, but even if we don't get a trilogy of trilogies for Wonder Woman Historia, this will hold up as a tremendous work about what men do to women, and what women do to get away from it.… (mais)

Wowsers!

Even as she stands among queens and goddesses, Hippolyta is THE QUEEN.

Kelly Thompson teams up with three superstar artists to give a beautiful and enthralling new perspective on the history of the Amazons.

For a long-time Wonder Woman fanboy like me, this is pure catnip: a tribute to all that has come before that also shows why these characters will persist for ages to come.

FOR REFERENCE:

Trivia: Gene Ha has one two-page spread in Book Two that pays tribute to women throughout history. He lays out the names and inspirations behind all the cameos here:
https://www.tumblr.com/thegeneha/681432602771636224/more-wonderwoman-historia-vo...

Contents: Wonder Woman Historia: The Amazons, Book One / Kelly Sue DeConnick, writer; Phil Jimenez, illustrator -- Wonder Woman Historia: The Amazons, Book Two / Kelly Sue DeConnick, writer; Gene Ha, illustrator -- Wonder Woman Historia: The Amazons, Book Three / Kelly Sue DeConnick, writer; Nicola Scott, illustrator -- Guide to the Amazon Tribes, with Design Notes / Phil Jimenez -- Hidden Figures / Gene Ha -- Behind the Panels / Nicola Scott -- Variant Covers / Olivier Coipel, Becky Cloonan, and Yanick Paquette, illustrators -- Wonder Woman Historia: The Pitch / Kelly Thompson -- Wonder Woman Historia: The Awards / Phil Jimenez -- About the Creators

(Best of 2023 Project: I'm reading all the graphic novels that made it onto one or more of these lists:
• Washington Post 10 Best Graphic Novels of 2023
• Publishers Weekly 2023 Graphic Novel Critics Poll
• NPR's Books We Love 2023: Favorite Comics and Graphic Novels

This book made the NPR list.)… (mais)

Well this was quite a tour de force. Angela (of Spawn fame) found her way into the Marvel universe. To give her presence in this world she is made daughter of Odin kidnapped by Heven Angels aeons ago. So when she finally finds her way back home she performs something that completely fires off everyone in Asgard.

In order to help her friend she will start series of events that, combined with Angela's nature (that makes Wolverine look like pacifist and peoples man in comparison), will bring the entire universe in state of utter destruction.

I like how people see Angel's and their "nothing for nothing" approach as "capitalism at maximum" :) Angel (beside being ultra Amazon society of bounty hunters and bad-ass warriors in general) are based on old ways so to speak. Even today in good part of the world it is custom to give something in return for anything received. It is just a way people try to enforce the idea that nothing comes free.

Of course for Angels (that are as warm people as Siberia in winter) this concept is basis of everything. If someone is indebted he better return the favor or ..... oh boy :) As a matter of fact all Angela's actions are as they are because she tries to pay off all of her debts in a way that will give her freedom.

So in all of this mayhem (center of which is Angela) we see Asgardians chasing her, Angels trying to figure out why is everybody from Asgard so hellbent to destroy them, Guardians of the Galaxy finding themselves played around by almost everyone (but hey in for a penny in for a pound, right:) ), Hella caught in a very surprising role of helping (instead of destroying :)), Malekith and Dark Elves getting struck by Angela (you truly feel sorry for them) and Surtur, that malevolent giant, trying to pry its way back into Nine Realms. Its constant action, action, action.

And ending, ending makes me eager to get the next volume as soon as it gets published.

Art is pretty good and I have to say consistent through all issues of this volume.

Highly recommended to fans of action stories full of exotic and ancient space civilizations.… (mais)