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60+ Works 331 Membros 5 Críticas

About the Author

Fiona Maddocks is an award-winning writer and editor, and is chief music critic of the Observer (London). A member of the editorial team that set up Channel 4 television in Great Britain, she later became the first music editor at the Independent (London). Ms. Maddocks was also founding editor of mostrar mais BBC Music Magazine. She was educated at the Royal College of Music and Newnham College, Cambridge, and is married with two children mostrar menos

Obras por Fiona Maddocks

Associated Works

Building Utopia: The Barbican Centre (2022) — Contribuidor — 9 exemplares
Time unwrapped : kings place : programme 2018 — Contribuidor — 1 exemplar
How to enjoy opera (2011) — Contribuidor — 1 exemplar

Etiquetado

Conhecimento Comum

Sexo
female
Nacionalidade
UK
Ocupações
author

Membros

Críticas

This biography of Rachmaninoff focuses on his exile in the United States. I found it insightful and very readable. Highly recommended to all lovers of romantic piano music and Rachmaninoff.
 
Assinalado
jwhenderson | May 22, 2024 |
I'm not normally a reader of religious biographies, but this is the second one I've read about Hildegard, a 12th century mystic, composer, writer, and philosopher whose advice and intercession were avidly sought by prelates, nobles, and common folk. Her work in music is what sparked my interest in her. That and the fact that she was tithed to the Church by her parents and spent at least some of her youth living with an anchorite at an otherwise male Benedictine monastery. The age of her enclosure is variously thought to be between 8 and 14. Just the thought of enclosure, a life of perpetual imprisonment, really gives me the willies.

The book is primarily a biography and history of the times. There are a couple of chapters which digress to discuss her spiritual and medical writings, and I largely skipped these since it's the music in which I was most interested. Except for those two chapters, and one on her music, this is a highly readable and informative general biography. Hildegard is considered by many to be a saint, although the canonization process has never been completed. But in 2012 she was named a "Doctor of the Church", an extraordinarily rare and high honor with only 35 recipients over the Church's history.

Hildegard was among the very first woman whose music was written down, and she is believed to have written the earliest allegorical morality play by more than a century. I once tried to transcribe one of her songs into modern notation, but it's pretty much impossible because of the lack of defined tempo. We have no sure knowledge of how Hildegard's music was performed, but modern scholarship gives us some hints, and during the 20th century recordings were made by several groups in line with suggestions of how they might have been sung. You can hear one of these interpretations at https://www.youtube.com/watch?v=Ei88J4lERbk.
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Assinalado
auntmarge64 | 2 outras críticas | Jan 24, 2020 |
Knowing nothing about Hildegard von Bingen except for her music, I picked this book up to find out more about her.
The subtitle of the book is "The Woman of her Age" and she certainly was a woman of the age--with all the common thoughts and constraints, but able, because of her visions and increasing fame, to contravene some of the constraints imposed on women of the time--at least the constraints that she felt should be bent.
This book seems to give quite a good historical account of her life, her writings, her illnesses, her visions, and her conflicts with her superiors.
A solid book that gives a picture of the society and the church of the time, as well as this incredible woman.
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Assinalado
quiBee | 2 outras críticas | Jan 21, 2016 |

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Estatísticas

Obras
60
Also by
4
Membros
331
Popularidade
#71,753
Avaliação
4.1
Críticas
5
ISBN
17
Línguas
1

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