Daisy Goodwin owes Maria Callas a posthumous apology - not to mention Tina Onassis, Grace Kelly, Winston Churchill, Lee Radziwill and various other real life names with more skill and personality in their headstones than the author. I will admit that I only knew of Callas as the woman scorned by that repulsive hairy toad Onassis, who (let's be honest) bought all the women in his life, but she didn't deserve this treatment. With fictional biographers like this, who needs enemies? The author's note at the start of the novel should have been more along the lines of 'abandon hope all ye who enter' rather than 'I played with the timeline for dramatic effect, teehee'.

Apart from the clunky and amateur writing ('jumping up and down in excitement like an excited child'), I'm not even sure what image of Maria Callas Goodwin was trying to convey - do we admire her for building her natural talent into fame and fortune, as opposed to 'women with no direction beyond finding a man to finance their lifestyle'? Pity her for throwing away her independence on a womanising slick of oil like Onassis, which is somehow different to his teenage first wife or Jackie Kennedy and her sister, because Callas was a 'real woman' who only wanted to make her man happy? I honestly thought I was reading an ode to Onassis written by a male author - Maria's life story is defined by the few years she wasted on him, and he is the only person to receive fair treatment in the whole book. Even Grace Kelly, who is portrayed as a bitter drunk flirting with Onassis when in reality she had taste enough to hate him, is thrown under the bitchy bus. 'All I have done is smile and wave and have a couple of kids,' Goodwin actually has the Princess of Monaco tell Maria - which is a bad thing, despite the fact that Grace Kelly was also a self-made working woman before she married, because ... Well, I lose track. Maybe because she didn't get to marry Ari and have his children (which Maria didn't either, despite the rumours that Goodwin obviously latched onto)? I actually threw up a little in my mouth when Grace Kelly was rebuffed by Onassis - 'Grace was beautiful, and he could see the wickedness underneath the porcelain skin, but at this moment she left him cold.' Please!

Listen, Maria Callas made one big - or rather, short and squat - mistake in her life, but she was a real woman with incredible talent. Here, she and all of the other personalities in her life, apart from Onassis of course, are reduced to caricatures. How any author can suck the life out of people who actually lived documented lives is beyond me, but I think Goodwin started her research with Wikipedia as a checklist and then turned history into a soap opera. The bubble-headed first wife who deserved to lose her meal ticket - despite coming from a wealthy family herself - because she didn't love her cheating husband enough The calculating actress turned princess who wants the best of both worlds and throws herself at a man with gold taps on his yacht in the presence of her husband. The blameless bimbo who is better than the other actress because she too came from nothing and is therefore portrayed as a victim. The 'stick insect' women out for what they can get, despite maintaining a svelte figure being some kind of achievement in other women who also steal husbands. Not forgetting the mercenary first husband who 'admired Callas the great diva and not Maria the woman' and couldn't give his infertile wife a child.

I'm sorry for contributing to the author's gold coins, Madame Callas, even if I only paid 99p. You and every woman slated in this book deserve far better. ( )

From her poor beginnings Maria Callas has risen to become the greatest soprano in the world however, her personal life is not so fulfilled. In a loveless marriage, her manager husband pushes Maria too hard and when her voice fails, she is called a Diva, and worse. Then Maria meets the charismatic and fabulously rich Aristotle Onassis and falls in love. Can Maria get her happy ending or will she be like one of her tragic opera heroines?
Goodwin has a talent for writing fictionalised stories about well-known figures that contain enough fact to be taken fairly seriously but are actually just really great entertainment. Here her subject is the great operatic star Maria Callas but Goodwin focuses on the key years of her affair with Aristotle Onassis. There are some liberties taken for narrative effect but the author admits this and I think the changes make the story a better read - yes, it's very light but it's a well-crafted, enjoyable read. ( )

Diva is a fabulous depiction of the life of Maria Callas, the famous and powerful soprano opera singer. A huge part of her tale includes her love affair with Ari Onassis. This book kept me spellbound. I know little of the real Maria Callas, but felt her emotions both in her music and her performances and as well her great love and the abuse of that love by Onassis. It was so readable and touching, even when I wanted to scream warnings at Maria.Perhaps Ms. Goodwin took liberties with her portrayal of the great Diva, but I felt it worked well, and I very much enjoyed the book.
My thanks to the publisher and NetGalley for the opportunity to read and review this title. ( )

Many years ago I was fortunate to have seen the Play “Master Class” starring Zoe Caldwell as Maria Callas. It was a story of a great opera diva teaching voice to several students while reminiscing about her life. It was a fascinating and extraordinarily well acted play winning several of the actors Tony awards. It was a superb and mostly factual expose of Callas’ life.

Daisy Goodwin has done a admirable job exploring Callas’ life going into detail about her character, her difficulties, her betrayals and her dedication to her instrument and her insistence on performance perfection. Goodwin has paid attention to detail while informing the reader about the politics that the performers of the opera world face from the Managers of the great opera houses, their contemporaries and fellow performers. Any story about Maria Callas has to include her relationship with Aristotle Onassis and Goodwin manages to incorporate amazing sensuality while describing an intricate cat and mouse relationship.

For those who love opera there is always a favorite soprano. It might be Callas, Tebaldi, Peters, Sutherland, Fleming or so many others, but no matter who you favor no one will ever be able to minimize or marginalize the greatness of Maria Callas. I remember a sequence in the play where Caldwell playing Callas berates one of the students for not projecting and reaching for those unreachable notes and the student lashing out saying that she wasn’t willing to sacrifice her voice, her career for a note - and that, whether you liked her voice or not, was what made Callas so great - she always reached for that note.

I was surprised by how much I enjoyed this book and thank St. Martin’s Press and NetGalley for a copy. ( )

I've encountered Maria Callas in fiction a couple of times now in the past few years. This novel focuses entirely on her and her relationship with Aristotle Onassis. The two lovers first meet when they are both married to others and yet feel undeniably attracted to each other. Maria's divorce stalls and slowly Onassis reveals himself to be nothing more than an extremely wealthy womanizer. An engaging read, even if I already pretty much knew the story. ( )