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A carregar... Right This Way: A History of the Audiencepor Robert Viagas
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When you sit down at a play, movie, or concert--or even just watch TV or scroll on your phone--you are taking part in one of the oldest and most meaningful forms of behavior. Being part of an audience is a universal experience, one that has remained a constant feature of human societies even as it has evolved from colosseums to tiny glowing screens. Right This Way is a pop history of audiences through the ages. Delving into the distinctive aspects of what he calls "audiencing," former Playbill editor Robert Viagas renders the view from the cheap seats in energetic prose. He walks us through the different types of audiences and the history of their changing behaviors, what science has to say about how our brains respond to our experiences, how technology will continue to shape audiences, and why, during COVID-19, people risked a deadly virus to be part of a crowd.Drawing on perspectives from critics, performers, scholars, and many others, Right This Way is a lively, thought-provoking meditation on the audience experience. You'll never sit and watch something the same way again. Não foram encontradas descrições de bibliotecas. |
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Google Books — A carregar... GénerosSistema Decimal de Melvil (DDC)302.2308Social sciences Social Sciences; Sociology and anthropology Social Interaction Communication Media (Means of communication)Classificação da Biblioteca do Congresso dos EUA (LCC)AvaliaçãoMédia:
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Robert Viagas explores such things in Right This Way: A History of the Audience, from before the days of ancient Greek theatre to our modern audience experiences.
The author explores not just the straightforward history of how audiences formed and the kinds of things they watched; he also considers how the desires of the audience shaped various forms of art and entertainment, how the audience’s understanding of religion and morality affected art and entertainment (and vice versa), the development and use of various forms of technology in captivating audiences, and the relationship between the audience and the space of performance. The behavior of the audience and the prospect of violence is also considered, as well as how matters of race, ethnicity, and gender shaped and were shaped by audiences and entertainment. The author also gave space to how various entertainers have given space for the audience to be involved in the expression of the art.
Since so much of our time is spent as an audience, it is good to consider what an audience is about and how we can well appreciate art as an audience. ( )