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Midnight Magic (Second Chances / Ulterior Motives / Temptation)

por Susan Kearney (Contribuidor)

Outros autores: Jeanie London (Contribuidor), Rebecca York (Contribuidor)

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A magical painting, a mystical gateway Legend has it that a heartbroken artist used magical paint to create the beautiful "Midnight Magic"--and then stepped "into "the painting and was never seen again. Or so Sara Drimmon is told when she visits the Second Chance Gallery in Rebecca York's "Second Chance." Sara experiences the magic for herself when the painting sends her into her own past and gives her a second chance with her first love. Then it's Sara's turn to introduce someone to the painting--and she chooses Merline, a beautiful singer who's lost her voice. In Susan Kearney's "Ulterior Motives," the painting sends Merline thousands of years into the future, where she is no longer a superstar. Is Merline ready to trade stardom for love? In Jeanie London's "Temptation," an artist urges Nina de Lacy to look deeply into the painting. But Nina has her own magical way of seeing into the souls of men--and now she must choose between the destiny "Midnight Magic" offers her and the two men who wait for her to tell them their future "… (mais)
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This is probably not a book I would have chosen to read, but a friend gave me a box of books and this was in it. Reading the back cover, I thought perhaps it would be more of a fantasy or time-travel type "magic" and it did start that way, but midway through the first novella, fortune-telling came into the story and I was done with it.

Warning: Potential Spoilers Ahead
***

I didn't actually mind the "legend" of the painting. reading the back cover blurb and the part I did read, it kind of seemed like the owner of the painting chose the next person who would have the experience. (But the third novella's blurb didn't seem to follow that pattern.)

I also didn't mind the time travel aspect of the first book. I've read other scifi/fantasy stories involving time travel--so why not through a painting? Though you do run into that pesky "if you change something that already happened, what does it mean for the future?"

I thought Matt and Sara had been married before he died based on the narrative in the beginning, but then something Sara said when she went back in time and met Matt again made me think that was not so. Even though I'd still have disliked the sex between the two when they met again, if they'd been married, I probably could have rationalized it (even if Matt didn't know they'd get married at the time) but since it seems they were never married before he died . . . I had a harder time with it.

And then when the fortune-teller at the fair came up and Matt wanted to have it done . . .well, that was the last straw for me. ( )
  JenniferRobb | Jul 26, 2019 |
I pick up anthologies specifically so I can try new authors with very little time or money invested. Each story was good for different reasons. I think I liked the Kearney story the most. ( )
  lesmel | Jul 12, 2013 |
commits the worst of all crimes - it's boring. All three stories are completely forgettable and not enjoyable. ( )
  amf0001 | Feb 6, 2007 |
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Kearney, SusanContribuidorautor principaltodas as ediçõesconfirmado
London, JeanieContribuidorautor secundáriotodas as ediçõesconfirmado
York, RebeccaContribuidorautor secundáriotodas as ediçõesconfirmado
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Stories in anthology:

Second Chance by Rebecca York
Ulterior Motives by Susan Kearney
Temptation by Jeanie London

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A magical painting, a mystical gateway Legend has it that a heartbroken artist used magical paint to create the beautiful "Midnight Magic"--and then stepped "into "the painting and was never seen again. Or so Sara Drimmon is told when she visits the Second Chance Gallery in Rebecca York's "Second Chance." Sara experiences the magic for herself when the painting sends her into her own past and gives her a second chance with her first love. Then it's Sara's turn to introduce someone to the painting--and she chooses Merline, a beautiful singer who's lost her voice. In Susan Kearney's "Ulterior Motives," the painting sends Merline thousands of years into the future, where she is no longer a superstar. Is Merline ready to trade stardom for love? In Jeanie London's "Temptation," an artist urges Nina de Lacy to look deeply into the painting. But Nina has her own magical way of seeing into the souls of men--and now she must choose between the destiny "Midnight Magic" offers her and the two men who wait for her to tell them their future "

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