Primeiros CríticosF. Scott Fitzgerald

A sumptuously illustrated adaptation casts the powerful imagery of F. Scott Fitzgerald's great American novel in a vivid new format. From the green light across the bay to the billboard with spectacled eyes, F. Scott Fitzgerald’s 1925 American masterpiece roars to life in Katharine Woodman-Maynard’s exquisite graphic novel—among the first adaptations of the book in this genre. Painted in lush watercolors, the inventive interpretation emphasizes both the extravagance and mystery of the characters, as well as the fluidity of Nick Carraway’s unreliable narration. Excerpts from the original text wend through the illustrations, and imagery and metaphors are taken to literal, and often whimsical, extremes, such as when a beautiful partygoer blooms into an orchid and Daisy Buchanan pushes Gatsby across the sky on a cloud. This faithful yet modern adaptation will appeal to fans with deep knowledge of the classic, while the graphic novel format makes it an ideal teaching tool to engage students. With its timeless critique of class, power, and obsession, The Great Gatsby Graphic Novel captures the energy of an era and the enduring resonance of one of the world’s most beloved books.

Today F. Scott Fitzgerald is better known for his novels, but in his own time, his fame rested squarely on his prolific achievement as one of America's most gifted writers of stories and novellas. Now, half a century, after the author's death, the premier Fitzgerald scholar and biographer, Matthew J. Bruccoli, has assembled in one volume the full scope of Fitzgerald's best short fiction: forty three sparkling masterpieces, ranging from such classic novellas as "The Rich Boy", "May Day", "The Diamond as Big as the Ritz" to his commercial work for the Saturday Evening Post and its sister "slicks". For the reader, these stories will underscore the depth and extraordinary range of Fitzgerald's literary talents. Furthermore, Professor Bruccoli's illuminating preface and introductory headnotes establish the literary and biographical settings in which these stories now shine anew with brighter luster than ever.

Today F. Scott Fitzgerald is better known for his novels, but in his own time, his fame rested squarely on his prolific achievement as one of America's most gifted writers of stories and novellas. Now, half a century, after the author's death, the premier Fitzgerald scholar and biographer, Matthew J. Bruccoli, has assembled in one volume the full scope of Fitzgerald's best short fiction: forty three sparkling masterpieces, ranging from such classic novellas as "The Rich Boy", "May Day", "The Diamond as Big as the Ritz" to his commercial work for the Saturday Evening Post and its sister "slicks". For the reader, these stories will underscore the depth and extraordinary range of Fitzgerald's literary talents. Furthermore, Professor Bruccoli's illuminating preface and introductory headnotes establish the literary and biographical settings in which these stories now shine anew with brighter luster than ever.

Today F. Scott Fitzgerald is better known for his novels, but in his own time, his fame rested squarely on his prolific achievement as one of America's most gifted writers of stories and novellas. Now, half a century, after the author's death, the premier Fitzgerald scholar and biographer, Matthew J. Bruccoli, has assembled in one volume the full scope of Fitzgerald's best short fiction: forty three sparkling masterpieces, ranging from such classic novellas as "The Rich Boy", "May Day", "The Diamond as Big as the Ritz" to his commercial work for the Saturday Evening Post and its sister "slicks". For the reader, these stories will underscore the depth and extraordinary range of Fitzgerald's literary talents. Furthermore, Professor Bruccoli's illuminating preface and introductory headnotes establish the literary and biographical settings in which these stories now shine anew with brighter luster than ever.