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A carregar... Notre-Dame of Paris (The Hunchback of Notre Dame) (original 1831; edição 1978)por Victor Hugo
Informação Sobre a ObraThe Hunchback of Notre-Dame por Victor Hugo (1831)
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Hugo gives us Quasimodo, a deformed hunchback bellringers, Esmerelda, a kind-hearted gypsy, and evil Frollo. These characters are set against a backdrop of medieval Paris with its Gothic architecture. Hugo includes themes of prejudice and societal injustice. ( ) I’ve been intrigued by Victor Hugo’s books—especially Les Miserables—for a long time, but haven’t gotten around to reading it yet. But when I found The Hunchback of Notre Dame in audio format, I decided to try it. After all, if Les Mis was good—and every version I’ve seen or read of the story so far has seemed to be that way—then this should be good, too, right? I wish I had known before going into this story that it’s a tragedy. That’s something I’ve discovered that I don’t handle so well if it’s foisted on me, and honestly, if I’d known that, I probably wouldn’t have finished the book. The first part of this story is SLOW. I don’t mind slow reads, and if they’re in audio, I can usually manage them—but with this book, even as a sped-up audiobook, I felt like I was dragging my way through the first half of the story. It does take off after around the 50 or 60% mark, but that first half…there are chapters I wish I’d skipped. Hugo wandered off into several tangents that really made no sense to me, and although I know that’s a part of old books, I still struggled with them. As a whole, the story is interesting—the last half, anyway. I struggled with the way characters hated and feared the poor hunchback man and called him names, but at the same time, I do not doubt that that’s the way they viewed people back at the time this story is set. It was interesting to see how he made his way in the world, even though he came up against a lot of opposition. I fell in love with Esmerelda and her goat, and hated the archdeacon. There’s a decent amount of action in the story, and this story is also a good commentary on human nature in general—and especially what happens when people let their feelings and thoughts get out of hand. In some ways, this book felt almost like a commentary on the story of Prince Amnon and Princess Tamar in the Bible! As far as content, this isn’t the cleanest of reads. There’s a lot of language in the story, and multiple times, there are references to people sleeping around. Overall, while I found the story interesting, I’m not planning to ever read it again. I’m glad to know what it’s about, but if I’d known what I do now about the book, I wouldn’t have pushed myself through to the end. It’s not a bad story; it’s just not the kind of thing I generally like to read. 1. Ubicación temporal y geográfica: La historia se sitúa en París durante el siglo XV y se centra en la catedral de Notre-Dame. 2. Personajes principales: - Quasimodo: El jorobado campanero de Notre-Dame. - Esmeralda: Una joven gitana. - Claude Frollo: El archidiácono de Notre-Dame. - Phoebus de Châteaupers: Un capitán militar. 3. Trama: - Quasimodo se enamora de Esmeralda, quien también es cortejada por Phoebus. - Claude Frollo, obsesionado con Esmeralda, desata una serie de eventos trágicos. - Esmeralda es acusada injustamente de un crimen y condenada a la horca. - Quasimodo interviene para salvar a Esmeralda, pero la historia culmina en una tragedia. 4. Temas principales: - Injusticia social: Explora la disparidad entre las clases sociales y las consecuencias de la discriminación. - La fe y la obsesión: Examina el impacto de la religión en la vida de los personajes, especialmente la obsesión de Frollo. 5. Estilo literario: - Víctor Hugo utiliza descripciones detalladas para retratar la arquitectura de París y la atmósfera medieval. - Aborda cuestiones sociales y políticas de la época, destacando la crítica a la injusticia. 6. Mensaje: - Critica la intolerancia, la injusticia y la obsesión. - Destaca la importancia de la compasión y la redención. «Nuestra Señora de París» es un clásico que explora la complejidad de la condición humana y reflexiona sobre temas atemporales.
Au point de sembler plus vraie que la vraie. Bref, un roman-cathédrale. In Notre-Dame de Paris Hugo’s dreams are magnified in outline, microscopic in detail. They are true but are made magical by the enlargement of pictorial close-up, not by grandiloquent fading. Compare the treatment of the theme of the love that survives death in this book, with the not dissimilar theme in Wuthering Heights. Catherine and Heathcliff are eternal as the wretched wind that whines at the northern casement. They are impalpable and bound in their eternal pursuit. A more terrible and more precise fate is given by Hugo to Quasimodo after death. The hunchback’s skeleton is found clasping the skeleton of the gypsy girl in the charnel house. We see it with our eyes. And his skeleton falls into dust when it is touched, in that marvellous last line of the novel. Where love is lost, it is lost even beyond the grave... The black and white view is relieved by the courage of the priest’s feckless brother and the scepticism of Gringoire, the whole is made workable by poetic and pictorial instinct. It has often been pointed out that Hugo had the eye that sees for itself. Where Balzac described things out of descriptive gluttony, so that parts of his novels are an undiscriminating buyer’s catalogue; where Scott describes out of antiquarian zeal, Hugo brings things to life by implicating them with persons in the action in rapid ‘takes’. In this sense, Notre-Dame de Paris was the perfect film script. Every stone plays its part. Pertence à Série da EditoraBantam Pathfinder Edition (HP36) — 43 mais Collins Classics (128) Everyman's Library (422) Gallimard, Folio (549) GF Flammarion (441) insel taschenbuch (0298) Kramers pocket-reeks (26) Limited Editions Club (S:2.01) Modern Library (35) Os Grandes Romances Históricos (35,36) Perpetua reeks (47) Pocket Books (31-32) A tot vent (705) Está contido emEin Baum wächst in Brooklyn / Taifun / Der Glöckner von Notre-Dame / Lausbubengeschichten por Stuttgart International Collector's Library Classics 19 volumes: Crime & Punishment; Twenty Thousand Leagues Under the Sea; Mysterious Island; Magic Mountain; Around the World in 80 Days; Count of Monte Cristo; Camille; Quo Vadis; Hunchback of Notre Dame; Nana; Scaramouche; Pinocchio; Fernande; War and Peace; The Egyptian; From the Earth to the Moon; Candide; Treasure of Sierra Madre; Siddhartha/Steppenwolf por Jules Verne ContémÉ recontada emTem a adaptaçãoÉ resumida emInspiradaTem um guia de estudo para estudantesTem um guia para professoresPrémiosDistinctionsNotable Lists
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HTML: Immerse yourself in one of the classic masterpieces of Western literature. Victor Hugo's sweeping epic The Hunchback of Notre Dame is a timeless tale of unrequited love that also touches on themes of jealousy, passion, purity, social justice, and moral goodness. .Não foram encontradas descrições de bibliotecas. |
Current DiscussionsEaston Press Item 2782 Victor Hugo's THE HUNCHBACK OF NOTRE DAME 2 volume DLE em Easton Press Collectors Capas populares
Google Books — A carregar... GénerosSistema Decimal de Melvil (DDC)843.7Literature French and related languages French fiction Constitutional monarchy 1815–48Classificação da Biblioteca do Congresso dos EUA (LCC)AvaliaçãoMédia:
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