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In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking classmate with a gift for acting. The passion that furtively develops between them--along with Callie's failure to develop--leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all. The explanation for this shocking state of affairs takes us out of suburbia--back before the Detroit race riots of 1967, before the rise of the Motor City and Prohibition, to 1922, when the Turks sacked Smyrna and Callie's grandparents fled for their lives. Back to a tiny village in Asia Minor where two lovers, and one rare genetic mutation, set in motion the metamorphosis that will turn Callie into a being both mythical and perfectly real: a hermaphrodite.
_debbie_: Both are (at least partially) historical novels with strong themes of identity, coming of age, and going against the mainstream to stay true to what you feel is right. Although one is set in Victorian England and the other isn't, they both have that same feel of rich language and descriptive place.… (mais)
librorumamans: The connection of this book to Middlesex is Eugenides' character, Dr Luce, who appears to be modelled on Dr John Money of Johns Hopkins University. As Nature Made Him is a non-fiction account of Money's experimental (and unsuccessful) sex reassignment of David Reimer, whose botched infant circumcision left him genitally mutilated.
Both books compellingly look at the complexity of gender identity.… (mais)
ainsleytewce: Both are very American stories, about families in the 20th century, fighting wars, starting businesses, raising families, and both feature a teenage protagonist.
jacr: A scholarly discussion of the decline of Detroit and its race riots. People who liked Eugenides's fictional account of Detroit might be interested in this historical version.
I found myself wanting a little more exploration of this intersex/gender identity nearing the end. realized on its last pages that gender identity is only a small section of a life. Considering the book was very long, it just doesn’t make sense how much time we spent with the grandparents. (not that i didn’t enjoy it!) I’m torn because the book doesn’t pride itself (blurb wise) on being solely about the gender identity of Cal, but everything is riding on this one detail. I almost felt guilty wanting a bit more (I mean how much can you really talk about your genitals?) but I think what’s obvious here is the physical barrier of the author. I think authors can take on identities to create characters (ex. white author writes black character into story) but it feels a bit inauthentic to, quite literally, take on Cal’s identity (imagine that same white author writing a story about the black experience?) being...not intersex. I think Eugenides tackled it. The medical aspect and the relationships were throughly explored. It’s the mental I thought was being hid from us. What Cal felt had very little airtime, in my opinion. And what airtime it did have, felt surface level or at the very least, predictable. I guess I’m just the kind of reader who can’t separate the writer from the work. If I’d gone into it blind, maybe I’d think different.
Apart from that, the prose is great! I mean it won a pulitzer. ( )
''Middlesex'' is a novel about roots and rootlessness. (The middle-sex, middle-ethnic, middle-American DNA twists are what move Cal to Berlin; the author now lives there too.) But the writing itself is also about mixing things up, grafting flights of descriptive fancy with hunks of conversational dialogue, pausing briefly to sketch passing characters or explain a bit of a bygone world.
''The Virgin Suicides'' is all of a piece, contained within the boundaries of one neighborhood; ''Middlesex'' -- a strange Scheherazade of a book -- is all in pieces, as all big family stories are, bursting the boundaries of logic.
Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
For Yama, who comes from a different gene pool entirely
Primeiras palavras
Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.
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Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
"Don't you think it would have been easier just to stay the way you were?" I lifted my face and looked into my mother's eyes. And I told her: "This is the way I was."
The textbook publishers would make sure to cover my face. The black box: a fig leaf in reverse, concealing identity while leaving shame exposed.
Historical fact: people stopped being human in 1913. That was the year Henry Ford put his cars on rollers and made his workers adopt the speed of the assembly line. At first, the workers rebelled. They quit in droves, unable to accustom their bodies to the new pace of the age. Since then, adaptation has been passed down: we've all inherited it to some degree, so that we plug right into joysticks and remotes, to repetitive motions of a hundred kinds.
But in 1922 it was still a new thing to be a machine.
He looked up at me with no expression, blinking. That was Chapter Eleven's way. Everything went on in him internally. Inside his braincase sensations were being reviewed, evaluated, before any reaction was given. I was used to this, of course...He was quiet, blinking. There was the usual lag time while he thought.
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Informação do Conhecimento Comum em inglês.Edite para a localizar na sua língua.
I lost track after a while, happy to be home, weeping for my father, and thinking about what was next.
In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking classmate with a gift for acting. The passion that furtively develops between them--along with Callie's failure to develop--leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all. The explanation for this shocking state of affairs takes us out of suburbia--back before the Detroit race riots of 1967, before the rise of the Motor City and Prohibition, to 1922, when the Turks sacked Smyrna and Callie's grandparents fled for their lives. Back to a tiny village in Asia Minor where two lovers, and one rare genetic mutation, set in motion the metamorphosis that will turn Callie into a being both mythical and perfectly real: a hermaphrodite.
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Google Books — A carregar...
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Apart from that, the prose is great! I mean it won a pulitzer. (